Jump to content
Slate Blackcurrant Watermelon Strawberry Orange Banana Apple Emerald Chocolate Marble
Slate Blackcurrant Watermelon Strawberry Orange Banana Apple Emerald Chocolate Marble
Sign in to follow this  
Rss Bot

Colourise greyscale work in Photoshop

Recommended Posts

WdBPiDNjKCK6SUiUGNivRd.jpg

Hit the icon in the top right to see the final image full size

For this video Photoshop tutorial, I'll be taking you through the art techniques and tools that I use to create full-colour images from a greyscale line art starting point. This method will work with any layer setup, workflow and Photoshop brushes, and I'll be demonstrating my approach using Photoshop's default tools. For this walkthrough I'll be working with an ink drawing that I love from fellow artist Hunter Bonyun

Some previous knowledge of how to use masks and layer groups is useful to have before going into this tutorial, but experience using them within a workflow isn't necessary. You'll notice that I point out my personal preferences when tackling a certain step. Nothing's set in stone, especially where painting is concerned, so feel free to adapt my approaches to your own creative workflow! Watch the video tutorial below, or scroll down for some expert tips.

Tip 01: Use adjustment layers

I like to use adjustment layers because they are a non-destructive way of colourising. Furthermore, I can either go back into them and adjust them when I have more tones down, or pile them on top of each other for a better effect. This is true whether I'm colourising or just adjusting the balance of my work. 

02. Play with local colour

Trying to get all of the colours to feel right more or less on your first attempt can feel overwhelming. My method can be used to put down local colours instead. You can then adjust them after the image is in place, without any destructive or negative effects.

03. Take care with photo textures

If I'm working with photo textures within a piece that has a painterly style, then it's crucial not to leave them as is, or as the final step in texturing. Painting on top of the textures enables me to create a tactile feeling without the dissonance of combining photorealism with non-realistic pieces.

The print version of this tutorial appeared in ImagineFX magazine. Subscribe here.

Read more:

View the full article

Share this post


Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Sign in to follow this  

×