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Preferences in user interface design shift and change all the time. In this article we take a look at the big trends that started bubbling up in 2018 and look set to explode this year – these are the themes you should be taking notice of. Due to the fast transformations in the mobile industry, the boundaries of mobile app experiences are constantly changing. We’re expecting to see even more amazing innovations that will influence mobile app design trends in the upcoming year. So without any further ado, let’s have a look at six hot UI trends to stick to this year, to help you learn how to create an app that's fit for 2019. For more predictions, take a look at our thoughts on the big web trends on their way. 01. Gesture-based interfaces In 2018, we saw a rise in 'edgeless' mobiles. Recent releases of buttonless smartphones from Google, Samsung and Apple will force mobile app designers to rethink their future creations. As well as offering a larger screen and more space for the interface to fill, the loss of buttons shifts the focus onto gesture-based interaction. There are plenty of in-app gestures that can significantly change mobile UI design, making it sleeker, more modern and more effective. The above GIF shows how an encyclopedia app uses gesture-based interaction (design by Tubik Studio). Currently, the vast majority of apps use in-app gestures to speed up common interactions. For instance, you can double-tap a photo on Instagram and Dribbble instead of pressing the 'Like' button. Where the gesture/response isn't well known, your users might benefit from adding a simple animation showing how the movement works as part of the onboarding process. 02. Face ID Face ID is another recent and noteworthy addition to the UI design toolbox. It was amongst the hottest trends of 2018 will continue to grow in popularity in 2019. While Face ID-ing is currently mainly used to enable users to unlock their phones without having to enter a PIN, we're starting to see designers incorporating this technology into their mobile apps, too. Above is the PaperFace app concept by Rashid Sharif. Do you remember all your passwords? With Face ID, there's no need to. Face ID offers an amazing opportunity for UI designers to smooth out the user flow and, used correctly, helps customers feel more secure. We predict that 2019 will see this technology being much more widely used, especially within ecommerce app design. 03. Neutral interfaces Lifenr takes a stripped-back approach to app design We're seeing a rise in graphic designers stripping away decorative elements within their apps until the user interface becomes almost invisible. Content-first layouts help focus the user's attention and enable them to consume the content without being distracted. While neutral interfaces bring a lot of benefits, they also pose a challenge for app designers. The main issue is that such interfaces look very similar to one another, and it becomes harder to create a truly memorable experience. Smart use of typography is one way to overcome this issue and help give a pared-back app more personality. 04. Animated visuals According to Prezi's 2018 State of Attention report, our ability to maintain focus has actually improved over time, but the audience has become more selective in the content they choose to consume. One way to ensure your audience stays engaged is through clever use of animated visuals. The use of video on social media perfectly exemplifies how animated visuals can replace written content. Short and precise videos can retain people's attentions more easily than traditional written content, while still offering plenty of information. Mobile UI designers can tap into this theme to help keep their audiences engaged. Using videos or animation you can demonstrate new app features, show how to do a certain task, or convey other important information effectively. For inspiration, take a look that the explainer video of Swiss Fin Lab design by FireArt (above), or explore these CSS animation examples. 05. Chatbots Shojol Islam's design for an AI-powered ecommerce chatbot, E-Bot Picture this: your prospective customer is about to make a purchase, but needs your help. It might be quite difficult for a user to find the 'Contact us' button. Moreover, waiting for the answer from customer service can easily become a major barrier to a sale. A good conversational design, which takes advantage of artificial intelligence, can have a serious impact on conversion rates. The way a chatbot looks in your mobile user interface can vary, and it’s generally a matter of overall design. However, when implemented properly, it can improve the user interface tremendously. Keen to get started? Read our tutorial on how to build a chatbot interface. 06. Augmented reality 2019 will require UI designers to think outside the box – or rather, the grid. Your UI might not be fixed to a screen any longer. Progressions in augmented reality mean your users could be interacting with the real world via your interface. It is now possible to use AR to create functional UIs that allow customers to try furniture out before buying it, for example. Or, imagine, your mobile app lets users try on clothes to see how they’d look before purchasing. Augmented reality may become a perfect tool to make the online shopping process even more interactive. Above you can see a Nike AR Concept by Kelly Wagnac. Augmented reality isn't a new trend, but it's not going anywhere. Read more: Add UI animations to your site The pro's guide to UI design 10 tips for better mobile UX design View the full article

If you could create an invention that would make the world a better place, what would it be? Boring old adults would probably whip up something terribly sensible like a water purifier or a nuclear missile deterrent. But when The UK Domain asked primary school children to doodle their ideas, they came up with some wonderfully imaginative and innovative contraptions. These inventions, including a Gun Sucker Inner and a Rubbish Eater that poops trees, have been turned into polished illustrations by The UK Domain. We love that these doodles show that you don't need to know how to draw or think like an adult to come up with brilliant ideas. And although these creations might seem whacky on the surface, they're not too far off real life inventions. Take Olly the Ocean Organiser, designed by Daisy, aged 9. Equipped with sensors that detect ocean rubbish and a propellor on its head to fly about, this machine is similar to the non-profit Ocean Cleanup organisation, which uses advanced technology to get rid of plastic in the world's oceans. Check out the doodles and the illustrations they inspired by clicking left to right in the image galleries below. "It's fascinating to see the creative and often thoughtful way that children see the world," says Helen Tomes, the director of marketing at The UK Domain. "We wanted to give the founders of tomorrow a platform to show us what they think of the world today." Maybe we could all take some inspiration from these drawings and start letting our imaginations run loose when coming up with problem-solving concepts for clients? Have a look at the full selection of inventions by heading over to The UK Domain's Future Founders page. Related articles: Doodle art: 52 great examples The best children's books of all time Spot your cartoon favourites in this CMYK celebration View the full article

Founded in London in 1975, Games Workshop has grown into a very big business. The firm best known for tabletop strategy games like Warhammer: Age of Sigmar and Warhammer 40,000 recorded a £1 billion market value during June 2018, and expects its profits to double this year. That’s due, in part, to the hard work and commitment of its dozens of talented artists. But that doesn’t mean it’s a stressful studio with constant deadlines to meet. “The environment is really informal, really relaxed,” says Dave Ferri, a concept artist who’s been with the company, now based in Nottingham, for about two and a half years. “It’s a very friendly atmosphere here.” Art techniques: top tutorials for painting and drawing Ferri works with two other concept artists, John Blanche and Tom Harrison, to create the 2D illustrations that inspire the digital 3D art sculptors – 29 of them in total – who lovingly craft and produce the figurines. And there’s always work to do, says design manager Sam Dinwiddy, because the company is constantly developing new lines and doesn’t want to rest on its laurels. Sketch for the Death Guard. “We try to provide the designers with a wealth of ideas,” says artist Dave Ferri “We’re always looking to excite our customers with something new,” Dinwiddy says. “We don’t just want to run through the list of ranges and update them all. That wouldn’t excite anybody. So we need to create stuff that’s unexpected, but still steeped in Games Workshop’s heritage.” That creation process often starts with a simple sketch, says John Blanche, who first began freelancing for Games Workshop in 1977 and went on to spend three decades as its art director. “Sometimes the designers like the sketch so much, they’ll actually make an image of it, but that’s unusual. I’m opening the doors up for sculptors to go: ‘Oh yeah, we could do that.’ It gives them a route to go forward.” Concept sketch for the Endrinriggers: soldiers with back-mounted machines for flying, as well as tools for airborne repair While Blanche works with physical inks and paints, Ferri creates most of his work in Photoshop CC on a Cintiq. “But the medium itself isn’t important,” says Ferri. “At the end of the day, the idea is what matters.” Typically, that design gets passed back and forth between concept artists and product designers in a process of re-invention and refinement. “It’s very organic and collaborative,” says Blanche. “We’re led by enthusiasm and deep understanding of each others’ backgrounds; it’s like one big family.” Open and willing attitude There are no ‘silos’ at Games Workshop, adds senior designer Seb Perbet. “One of the things that surprised me most was how open and willing people were to share their knowledge. I think it comes from the fact that we love this job and like talking about it.” Concept sketch of Belisarius Cawl. “We pull from different historical things and mash them into something new,” says Ferri For the digital sculptors, Perbet explains, developing the miniatures is not just a technical challenge but a creative one, too. “I think the best product designers don’t separate these two aspects: the creative mind is the one suited to solving the hardest technical problems. So for me it’s hard to distinguish between the two, because as I’m sculpting I’m deciding what it is I want and how it’ll be manufactured at the same time.” Even the 2D concept art needs to be approached with the physical end goal in mind. As Ferri points out, “These products are physically very small, and you can’t get a lot of detail in there. So our concept art needs to be bold and graphic, and most importantly, based on strong shapes." Balancing the details “That’s the hardest part: taking away the tendency to draw too much and strip it down,” Ferri continues. “You need to make the shapes interesting, because that’s where the product will succeed. So it’s important when you’re drawing something to stand back a few feet and have a look. Can you still see the details? Does it still read as you wanted it to? If not, you’ve probably made it over-complicated.” And if you’re a fan of Games Workshop yourself, then here’s some good news: the company’s hiring. “Finding good artists is difficult, because it’s so niche,” says Dinwiddy. “So we’ll always look at portfolios and we’ll always listen to people; the only thing that we can’t guarantee is a job at the end of it.” Although the artists and designers chat day-to-day, they also have regular meetings to get feedback on each others’ work There’s no particular qualification or software skill that you need to have, Dinwiddy adds. “It’s literally just: do you have an affinity with sci-fi and fantasy? Can you generate fantastic, original and unique ideas quickly and consistently, in high quality? And do you have the passion to develop new IP for a niche business?” If the answer to all those questions is yes, then you may get the chance to work in an environment where artists are constantly brimming with enthusiasm. “There’s always a good buzz in the studio, and we’re all really excited when new models come out,” says Dinwiddy. “I still get that ‘I want these!’ feeling, like I’m a little kid all over again.” This article was originally published in ImagineFX, the world's best-selling magazine for digital artists. Buy issue 166 or subscribe. Related articles: How to be a better concept artist How to create stylised game artwork Why 2D artists need to learn 3D View the full article

When it comes to tying the knot, there's a lot of stress to make sure that every single detail of the wedding day is absolutely perfect. With so much to decide and keep track of, choosing the best font for your invites and place settings can often get pushed down the list. This shouldn't be the case – after all, you want something tasteful but not too bland, that ties in with the look and feel of your wedding. To make life easier for those organising the big day, we've put together a list of 10 wedding fonts that are sure to impress friends, family, and even the in-laws. Simply download and type away for gorgeous wedding paraphernalia. Some of these fonts are paid-for while others are free, but if you're after solely free fonts, then take a look at our list of best free fonts for designers. 01. Monstice Format: OTF, TT Price: From $24/£15.99 per font Buy Monstice Monstice is an elegant, decorative font family made up of five different variants: Base, Engraved, Inline, Hatched and Emboss. Any one would be ideal to add a touch of playful grandeur to your wedding stationery. You can also customise this wedding font with a range of OpenType features including swashes, ligatures and alternates. Pick up the full set for $60/£40.99. 02. Olivia Script Price: Free (personal and commercial) Download Olivia Script If it's a whimsical, romantic look you're after, look no further than Olivia Script. The designers describe it as a 'a modern calligraphy typeface', and it comes complete with 351 glyphs. This graceful wedding font is free for both personal and commercial use, and you can download it from The Font Bundles Store. 03. Paper Format: OTF Price: Free (personal use) Download Paper This charming font was made by Behance user Amy Cox. Every single letter has been cut out with real scissors to produce a quirky wedding font complete with filled-in counters. With its resemblance to confetti shapes, this playful font will add a dash of personality to any wedding ceremony. Download it free for personal use from Cox's Behance page (affordable commercial licenses are available too, wedding businesses will be pleased to hear). 04. Limon Format: OTF Price: $49/£32.99 (one font) Buy Limon Thanks to its fluid shoulder shapes and squiggly lobes, Limon is a zesty font that would be perfectly suited to a spring or summer wedding. Hand-drawn by Sabrina Mariela Lopez, this detailed wedding font took 18 months to design. The hard work has paid off, though, as Limon looks stunning. You can pick up a single font for $49/£32.99, or grab all 16 variants for $179/£128.99. 05. Blend Format: OTF Price: From $19/£12.99 per font Buy Blend In the world of coffee, a blend is a mix of beans that work together to produce a balanced taste. The creators of this font have applied the same logic to typography, and the result is a bouncing informal script that would look right at home on invites and table settings. The full set comprises 21 fonts – pick just the ones you want, or download the full set for $159/£107.99. 06. Guess Format: OTF Price: From $30/£19.99 per font Buy Guess Fun fonts are all well and good, but what if you need to impress the grownups? Don't panic, Guess could be just what you're looking for. This versatile and elegant wedding font is packed with class and style that's sure to draw admiration from even the most picky of guests. Designed by Veneta Rangelova, you can download the 16 fonts in this set for $150/£101.99. 07. Goodlife Format: OTF Price: $30/£20.99 per font Buy Goodlife Speaking of versatile fonts, the Goodlife family includes seven different styles that are "optimised to feel not just like a font but like true hand lettering". Designed by Hannes von Döhren (not Tom and Barbara from the BBC series), Goodlife is capable of handling the most complex typography challenges you can throw at it. Get your hands on the seven Goodlife fonts for $99/£70.99. 08. Burgues Script Format: OTF Price: $99/£74.99 Buy Burgues Script Sometimes you just need to play it straight and go for a font that turns the classy up to 11. Burgues Script does just that, and designer Alejandro Paul delivers a flowing font inspired by the 19th century calligrapher Louis Madarasz. 09. Storyteller Format: OTF Price: From $15/£11.99 per font Download Storyteller Script fonts really are the order of the day at weddings, but Storyteller delivers a playful variation on the theme. This family contains 33 fonts in total, and each one has been lovingly handwritten, hand-traced and developed by designer Elena Genova. Compatible with any software, this family is topped off with ligatures and contextual alternates. Download the full set for $149/£103. 10. Felt That Format: OTF, TT Price: $40/£26.99 Buy Felt That Looking for a script font that's stylish but still has its feet on the ground? Meet Felt That, a family that was hand drawn with a bullet-tipped marker by designer Jess Latham. It might be more straightforward than some of the more whimsical entries we've seen, but that doesn't mean that Felt That hasn't got an appeal all of its own. Download the single wedding font for the bargain price of $40/£28.99. 11. Bambusa Pro Format: OTF Price: From $19/£12.99 per font Buy Bambusa Pro Described as a "sturdy expressive modern calligraphy family", this set of four fonts has a unique ink-stroke aesthetic that comes from the Bambusa bamboo pen that designer Hanneke Classen used to make it. This distinctive font could give wedding messages an exotic twist thanks to its unusual spacing, accented characters and Ornaments (a set of twirly glyphs). Download the four fonts for $49/£34.99. 12. ITC Edwardian Script Format: OTF, TT Price: $35/£30 per font Buy Edwardian Script Finishing off our list is ITC Edwardian Script, a straight-down-the-line wedding font that doesn't skimp on character, designed by Edward Benguiat. Flaunting its flourishes in every letter, this family of four fonts is a safe choice if you want to give your wedding invites a touch of class and sophistication. Related articles: 50 best free fonts for designers 5 principles of design illustrated 10 fancy fonts to give your work a touch of class View the full article

You're reading Postcards Introduces Transactional Email Modules, originally posted on Designmodo. If you've enjoyed this post, be sure to follow on Twitter, Facebook, Google+! Today, we released newly designed transactional modules for Postcards. We designed and coded 26 absolutely new modules! You can start using them directly in the Postcards App now. View the full article

Whether you're working from home or in a studio, as designers and artists, we often spend long hours sat at a desk and staring intently at a monitor screen. We'll assume you know about taking regular screen breaks, but workplace wellness involves more than having a rest. With that in mind, we've put together an infographic containing 10 simple desk exercises so that you can make sure you remain limber in your studio. Click on the image to see the full-sized graphic, and feel free to share it with your colleagues on Pinterest! The best infographics around Click on the image to see the full-size infographic Illustration: Simon Middleweek Read more: 17 incredible tools for creating infographics 6 ways for designers to stay healthy Keep your hands in shape with this infographic View the full article

A penetration testing tool called Modlishka can defeat two-factor authentication in the latest 2FA security issue. We asked a roundtable of experts what it all means. View the full article

If you’re new to CGI, you may feel that there are far too many tools to choose from in a dizzying array of software. By breaking everything in CGI down, I want to arm artists with the knowledge of which tool is best. With this in mind, let's explore materials and shaders by looking at bump and displacement maps. But first, let's look at why these maps are different to normal maps. What's the difference between bump maps and normal maps? In a previous article I looked at normal maps, which are a type of image map used to add extra detail to your models. There are other image map types for adding details and relief to your 3D art: bump and displacement maps. These both use black and white imagery to create relief data for a model, making bump and displacement imagery far easier to create and manipulate in any 2D painting application when compared to the complex three-colour arrangement of normal maps. The differentiation between bump and displacement maps is in how they display the relief. 27 free 3D models How does bump mapping work? Bump maps are one of the oldest form of image map types (normal maps are derived from bump maps), and have been used for decades to add surface relief to models. Bump maps are not very resource-intensive, making them a popular choice for a wide range of relief work. The catch with bump maps is that they cannot render corner or edge detail, which makes them problematic in certain situations, for example adding brick detail to a corner edge. Bump maps are by far the easiest type of relief image to manage as they work with practically any surface, no matter the geometry. What does a displacement map do? Displacement maps, although they can be derived from the same type of image as a bump map, are much more powerful. They can truly deform geometry up to and including edge detail, making them ideal for a much wider range of uses such as terrain creation (sometimes a displacement is called a height map for large-scale deformation) and detail modelling. The reason that displacement maps are not as commonly used is that they can be computationally intensive and they tend to like high-resolution geometry to work with, which can make them less than ideal for some tasks. Either way, understanding bump and displacement maps will enable any artist to add detail to their models more quickly and intuitively than through other image-based methods. When to use a bump map A bump map modifies the surface of a geometry At its simplest, bump mapping only modifies the surface of a piece of geometry, whereas displacement mapping is actually altering the geometry. Bump maps are great at adding a lot of low-relief detail on low-polygon objects, so a one-polygon wall could show hundreds of bricks thanks to bump mapping. It can be an issue when edge detail needs to be shown, as bump mapping does not work with side detail – it only shows the true underlying geometry. When to use a displacement map A displacement map alters the geometry itself Displacement maps are a hugely powerful technique as they can intuitively allow model detail to be added with a simple greyscale image. A perfect example is when they are used as a simple method of creating the height data for a landscape. As displacement maps (also sometimes known as height maps) are modifying the underlying geometry, they need higher-resolution meshes to work with than bump maps, which can make them slower to work with. But they can produce stunning results. Combine maps Combine both maps to add a true relief Bump and displacement maps can be used in conjunction with one another. For example, when using displacement maps to add true relief to a landscape, a bump map can be used to add additional noise to the surface. This takes some of the computational weight away from the displacement map, allowing faster performance for negligible image loss. Understanding the properties of when and where to use bump and displacement maps can radically improve models and scenes. Height differences between maps Be sure to double-check displacement maps brought in from external software Both maps display height differently because of the underlying science behind each. However, this can also be true of the software being used. Displacement maps especially should be double-checked in the final render software when brought in from an external painting programme or other render software; there can be differences between how they are displayed, especially with different levels of geometry. Never assume anything until it has been tested for the specific scene or model required. Create your own bump and displacement maps Map colours help to denote height and depth One of the best things about bump and displacement maps is that visually they make sense, with white areas usually denoting the highest areas, black the lowest and 50% grey equalling no change. This means that while there are applications like Bitmap2Material that can make a good guess at creating relief, it is sometimes better to use a 2D image application. Using a high-pass filter can be an excellent way to get started in creating a relief map which can then be painted into using traditional 2D painting techniques. This article was originally published in issue 238 of 3D World, the world's best-selling magazine for CG artists. Buy issue 241 or subscribe to 3D World here. Related articles: Model luminous 3D surfaces with these texture tips Become a better 3D artist The best new 3D tools for 2019 View the full article

There are many aspects to consider when tackling a painting, both technical and fundamental. What I don’t often hear about are the minor tactics that help elevate the art-making. In this workshop I’ll focus on techniques that aren’t emphasised, particularly ones pertaining to works made with acrylics and coloured pencil. Having an understanding of the basics is important, but it’s the tiny nuances that will distinguish your work. I’ve been working professionally as a freelance artist for about a decade now, and I’d like to share with you the essential tidbits I’ve learned along the way, including how I capture the natural glow of skin with acrylic glazing and wax-based pencils. In addition to sharing my painting techniques, I’ll explain what to do once a painting has been completed. Finding suitable frames and scanners are key components in preserving your art for the years to come. Every artist has their personal art-making tactics that they develop over their years of experience, so keep making art, learn, grow, grow some more, share what you’ve learned, and keep the inspiration cycle going for others. 01. Focus on the outline Try outlining in a colour other than black A common mistake that people learning how to draw make is paying too much attention to the form within the lines of an object, rather than looking at the line itself. Edges are made of coloured lines and tend to be high in chroma. Instead of contouring objects with black lines, try using something with medium to high chroma. For skin, outline the figure with Terracotta and this will give it that natural shimmer. To give objects that are catching light – for example, a blue rooftop on a sunny day – trace its rim with a True blue coloured pencil. This is also a great way to establish your focal points. The vibrant outer edges help to advance the element to the foreground and draw the viewer’s eye. 02. Create colour harmony Tone your paper with light washes to achieve colour harmony When working with an extensive colour palette, it’s easy to let it get out of hand, resulting in a gaudy painting full of dissonant colours. A great solution for this is to harmonise your palette by toning the paper with light washes of paint. After I’ve transferred my drawing on to hot press watercolour paper, I make a mixture of Brilliant blue and Cadmium red paint, and apply a few thin washes of it. The paper is now a few shades darker with a purple tint to it. Subsequent layers of colour will react to these initial washes, and by sharing this commonality, will yield a more cohesive palette. 03. Capture organic shapes Let edges bleed into each other for an organic look Water-based paint such as acrylics are ideal for capturing organic shapes, including clouds, foliage and fabric. Objects that tend to have a lot of billowing texture can be intimidating, but you’ll come to learn that the water does most of the work for you. You just have to be fearless and let go of that innate control that lives in all of us. When rendering these shapes, allow the paint washes to find the forms for you. Be loose with the control of your brush and make strokes that are haphazard and unplanned. Let edges bleed into one another. The less control you have, the more organic the outcome will be. 04. Don't treat your brush like a pencil Don't be too precise with your brush strokes An old bad habit of mine was treating the brush like a .05 mechanical pencil. I would execute each paint stroke with precision and end up with static movement in my figures and their attire. To achieve fluid, organic shapes and gradients, hold your brush loosely and use the full motion of your wrist. Execute your paint strokes by turning the belly of the brush at extreme angles. Don’t dab unless necessary. You can also vary the softness of the paint stroke’s edge by doing this. 05. Use white paint sparingly For some skintones, you can use the white of the paper instead of paint Most of the whites in my paintings are made of the natural white of the paper. On occasions, I’ll use Titanium white to highlight, but it’s used sparingly. I find that white paint comes across dull: although it’s light on the value scale, it’s low in vibrancy. I recommend that you plan your painting ahead of time, determining the placement of the highlights. For example, the shine on the female’s cheekbone is kept untouched, along with the highlights on her nose and chin. 06. Get the right pencil for the job Make sure you're using the right pencil for the right part of your work I use two different types of coloured pencils, both wax-based. The Prismacolor Premier pencils are opaque in colour and possess a creamy texture. They have a soft core and will repel water, so are only used at the end of the painting process to fix mistakes and finalise solid shapes. The Prismacolor Verithins are made of a thinner, harder wax lead that are most suitable for clean lines and fine details. They tend to be water-soluble, and thus work well with acrylic washes. The Verithins are great for pushing dark values that I find difficult to achieve with acrylic washes and sharpening lines, like the edge of an ear lobe. For more advice on different types of pencil, see our post on the best pencils for colouring, drawing and sketching. 07. Transfer your sketches Lighten your sketch to prepare it for transfer There are different options available when transferring a sketch, either with a projector, light box or my personal favourite, a large-format printer. When transferring via projector and light box, I lose the dynamism that lives in the original sketch. By printing the sketch directly on to the watercolour paper with archival pigments, you can preserve the spirit of the lines as well as saving yourself hours of work. To prep your sketch for transfer, make sure you lighten it so that it’s only barely visible – it’s meant to serve as a blueprint, after all. Afterwards, you can redefine the lines by tracing it with coloured pencil. If you're not sure which printer to go for, see this post on the best printers. 08. Use iridescent embellishment Add something extra with embellishments To add an extra layer of dimension to your work, embellish it with an iridescent quality. Gold leaf and Pebeo Paints are a few ways to give it distinction, and collectors tend to gravitate towards these. Having that extra touch of authenticity is highly sought after. Before applying the embellishments, prep your painting by adding a layer of matte medium. This acts as an isolation layer and protects the painting. It also gives the surface a bit of tooth. For Pebeo Paints, which is an oil-based iridescent medium with an enamel texture, use a pipette to leave drops of shimmery gold to your finished painting. Make sure to let it dry for at least 48 hours, especially if the application is thick. 09. Add glazes The wet-on-wet method was used to create the horse's texture Rendering with acrylics is a slow process for me. I work from light to dark with diluted washes of paint, a technique called glazing. By overlaying layers on top of each other, value is darkened and form is created. A painting usually consists of 50-80 glazes, applied with different watercolour techniques. For broad areas where a soft edge is needed, like a horse’s muscular texture, use the wet-on-wet method. For finer details that need crisp edges, like a ribbon, use wet-on-dry. 10. Blend paint strokes Blending is key to creating a smooth gradient Paint strokes can generate a painting wonderful texture, but there are times when you might prefer to develop a smooth gradient in your artwork. To blend paint strokes, I recommend heavily diluting your paint with water and executing with a light touch. Don’t go heavy with the application and be patient as you build value on the paper. Overlaying glazes upon glazes of paint on top of each other will slowly smooth out the strokes, much like an iron set on a low heat. If the paint strokes are still unyielding, use a pencil in a neutralising colour to gradually blend them away. 11. Treat acrylics like watercolour You can achieve a lot of different techniques with acrylics Acrylics are one of the most versatile water-based mediums. Because of this, I can treat them like watercolour, diluting and blending strokes. Unlike watercolour, there’s a higher level of permanence in the pigment so it doesn’t enable you to lift colour. I prefer this since I’m able to achieve a wide range of value changes. Like watercolour, you can tint certain areas to add slight colour changes. By mixing a few drops of Golden High-Flow acrylics with water, you can bring subtle hints of warmth to a figure’s cheeks. 12. Digitise your painting A lot of young artists don’t prioritise the importance of digitising the finished painting for future usage. It’s key to have a high-resolution digital scan of the final so it can be used for promotional purposes, Giclée prints, licencing rights and more. For works in watercolour, I recommend using a Cruse scanner. Access to one can be difficult, but try calling your local fine art or large-scale printing company and you may be in luck. It scans the painting without touching the art and is able to capture the nuances of the paint strokes without grainy reflections. If you don’t have access to one, an Epson 11000XL is a great second option. 13. Add a natural edge A torn edge adds authenticity to your work A great way to apply more authenticity to your original piece of work is giving it rough-cut, deckle edges. An easy way to do this is by using a straight-edge ruler to tear your watercolour paper edge as oppose to cutting it with an X-acto knife. It distinguishes the painting as an original piece of artwork and makes it available for unique framing options. 14. Frame the finished piece Watercolour paintings work well in shadow box frames Painting on watercolour paper has perks. Because it’s paper, you can frame it so that it’ll showcase its natural deckle edges. A wonderful way to frame artworks on paper is by top float-mounting it in a shadow box-like frame. The painting is adhered on top of archival foam board to make it appear as if it’s suspended in air, with space between all sides of the paper. In my example, I chose a white wooden frame with two-inch rabbet height. To have the painting float-mount like this, you’ll need ample depth for all of the different framing components including the glass, mat boards and backing. This article originally appeared in issue 166 of ImagineFX, the world's leading magazine for digital artists. Buy issue 166 or subscribe. Read more: A beginner's guide to watercolour brush techniques How to create glazes with watercolour How to draw: the best drawing tutorials View the full article

When it comes to failed new year's resolutions, learning a new language is up there with attending the gym regularly and staying sober in January. To keep multi-linguists in the making coming back for more, freemium language-learning platform Duolingo has mastered the art of emotional manipulation with Duo, the green owl mascot who has a reputation for keeping users in check. Duo, along with the rest of the tool's layout and design, has been given a refresh for 2019 that aims to make the website and app more consistent and engaging. With the likes of Instagram and Twitter offering easy distractions from language study, Duolingo has also borrowed heavily from the gamification playbook. The new Duolingo mascot goes back to a symmetrical design The redesign – including the new logo design – was created by Duolingo's in-house team, and is the biggest update to the tool in five years. Duo's design has been simplified to make it easier to animate and the entire interface has been given a more cartoony refresh. Regular and intermittent users of Duolingo will already know that it relies on gamification. Heart bars encourage you to get an answer right and maintain a winning streak, while the Duo mascot helps to build a more personal attachment thanks to his reactions to user activity. Practise regularly and Duo will be overjoyed, skip a few sessions and he'll soon whip out the waterworks. The refreshed platform includes updated mascots and icons For its latest iteration, Duo has been brought to life with more positions and animations to get the most out of his connection with audiences. A closely cropped profile of his beaky face has also been used for the Duolingo app icon to really cement the connection with mobile games. Speaking to The Verge, Duolingo's head of design, Tyler Murphy, explains why Duo is being preened into the platform's version of a gaming mascot. "Games have this unique ability where you get really attached to their character. That’s why they can keep releasing new games with that same character, and people will rush out to buy them." The new Duolingo app icon is designed to resemble a game For a mascot that has gone on to inspire memes, it's fitting that Duo started out as an act of trolling. He's an owl because the bird is associated with knowledge, however his distinctive green plumage was a joke aimed at Duolingo co-founder Severin Hacker. After Hacker specified that anything was fair game for the mascot except the colour green, the creative team found the bait too hard to resist and made Duo green as a joke. It's a choice that seems to have paid off though. The green colouring makes Duo stand out, and it helps to make the platform feel even more like a computer game than an educational tool. The Duolingo team refreshed the tool's various screens so they look more consistent Duolingo currently has roughly 300 million registered users and offers 81 different language courses. Some users saw the updated app and mascot roll out at the tail end of 2018, while everyone else can expect to see the spruced up platform very soon. Related articles: The best logos of all time 6 huge logo trends for 2019 5 logo design terms you should know View the full article

If you've ever wondered how people make a living from YouTube, and wish you could do the same, you're in luck. You can get started with the Ultimate YouTube Master Class Bundle. With 28 hours of training, you'll learn how to steadily build your brand and a career on one of today's most popular online platforms. Find out how to start a channel, how to monetise it, and how to gain a loyal following. You'll also learn important shooting, editing, and marketing techniques that will ensure high production value and lots of eyeballs! Get Ultimate YouTube Master Class Bundle while it's on sale for just $29 – that's 97 per cent off the regular price. Related articles: The best computers for video editing in 2019 The best video editing software in 2019 The best memory cards for your camera View the full article

You’ve shot some quality video footage and so now it’s time for the fun part, the part where you get to fully unleash your creativity: video editing. However, if you’ve never tackled it before, editing video can be a daunting task. But never fear, creating quality videos is easier than you might think. Whether you’re new to the world of video, a creator of social videos, a professional video editor or a prosumer who needs easy-to-use video effects, Filmora9 is a video editor designed for all types of creators and skill levels. Feature-rich, including full 4K support and endless video effects, Filmora9 will enable you to create professional-looking video with speed and ease. Here are five essential video editing techniques to help you get started: Match Cut A match cut is very similar to a standard cut (when you cut from one clip to another without any transition), the difference being when you cut between clips, the subject matter in both match. It’s an editing technique which, done correctly, can really elevate a production. Watch the above video to see how effective a match cut can be. J or L cut Two common but powerful video editing techniques are J and L cuts. The J cut is when the viewer watching clip A hears the audio from clip B before seeing clip B. This audio transition is a great way of playing with the viewers senses before they see any visuals. Contra to the J cut is the L cut, which works on the same principle, only mirrored. With an L cut, the audio from a preceding scene continues to play over footage from the following scene. Discover how both J and L cut works in the demonstration above. Montage A montage is a video editing technique that signifies the passage of time, a flashback or an artistic compilation of imagery, often underscored with music. The above ‘Emotions’ video montage by Lindsay McCutcheon is a great example of how powerful this simple but effective editing technique can be. Whip Pan A whip pan is actually a camera technique, whereby the camera literally whips from one direction to another, causing a blurred shot to be created. This type of shot can then be used as an unbroken means of transitioning between two clips. Whip pan transitions are a great way to indicate the passage of time or create an atmosphere of frenzy and disturbance, as demonstrated perfectly in the above scene, again from Hot Fuzz. Sam Kolder transitions Sam Kolder is a travel influencer and a filmmaker and he’s known for his epic travel videos. He’s also known for his unique signature style, like zoom transitions. Filmora9’s toolset includes a variety of transitions to choose from, including ones inspired by Sam Kolder himself. Find out how they work, and how you can create them in your own projects in the video above. Now we’ve covered some essential video editing techniques, you can get started on your own video projects. Need some extra help? The Filmora YouTube channel has lots more video editing tips and tricks to guide you in the right direction. Filmora9 is available for Mac and Windows and is priced at $59.99 for a lifetime license or $39.99 for one year. Find more information and sign up here. View the full article

If you're at all tapped into the world of comics and superheroes on social media, the chances are you've seen some weird and wonderful Spider-Man inspired fan art fill up your timeline lately. But why have fans of the famous Marvel hero started sharing art with #Spidersona? What exactly is a Spidersona? And how can you get involved? Well, it's all to do with the latest Spider-Man film, Spider-Man: Into The Spider-Verse. For those who haven't seen the film (and you really should, after you've finished reading this article, of course), the story sees a range of alternative Spider-Men and -Women from parallel dimensions come together to defeat the villainous Kingpin. 14 imaginative web comics to inspire you Thanks to its funny script, tight plotting and stunning animated visuals, Spider-Man: Into The Spider-Verse has gone down a storm with fans and critics alike. However, the film has also sparked the imagination of digital artists due to its alternate takes on the Spider-Man costume. In the film we see a film noir variant, an anime inspired design, and, well, Spider-Pig. It's these variations that illustrators are having fun with in their fan art. Taking the idea of parallel universes and running with it, artists are conjuring up their own Spider-Man personas, or Spidersonas, and creating imaginative character designs for them. Shared with the hashtag #Spidersona, these superhero creations can be split into two groups. The first one sees the artist imagine what they themselves would look like as the webbed wonder. Meanwhile the second camp take things further by imagining a completely new spin on the Marvel hero. Top artists have weighed in with their takes on #Spidersona, and the creativity on display is well worth checking out over on Twitter. Here are some of our favourites, starting with one of the earliest creations that predates the hashtag itself. Want to get involved? Just create your own Spidersona and don't forget to tag it #Spidersona on social media. Related articles: Artists pay tribute to Marvel legend Stan Lee How to create a comic page How to colour comics View the full article

One of the hardest parts of being a freelancer is the money side of things. If you've had regular pay cheque your whole life, living with no guaranteed income can be daunting. Some months you'll be working non-stop, others will be ominously quiet. The easiest way to stay out of trouble – especially when you're first starting out – is by being thrifty with your money. We asked leading freelance artists, designers and photographers for their top tips on being smart with money. Before we kick things off, here's a bonus tip: there are plenty of helpful resources online that won't cost you a penny – if you know where to find them. Take a look at our pick of the best free fonts, free iPhone apps for creatives and free graphic design software just for starters. 01. Hunt out free entertainment Entertainment and inspiration can come for free The Finish illustrator Annu Kilpeläinen, who now lives in London, says starting out as a freelancer doesn't mean putting an end to your social life. You just might have to spend a little less on going out. Kilpeläinen takes advantage of cheap or, better, completely free stuff in her local area. "If you live in a city like London there are plenty of exhibitions that are free," she points out. But Kilpeläinen has another favourite, budget-friendly pastime, something you can normally do no matter where you live: "Bingo! And you stand a change of winning money, so what's better?" If even bingo's currently out of your price range, you could always ask for a little bit of extra money: "Lots of smaller jobs have fixed fees but its always clever to try to negotiate your fees up. That £50 extra can get you many nights out at the bingo hall." 02. Buy a good printer Illustrator Valentina Remenar has saved over time by investing in a home printer The illustrator and concept artist Valentina Remenar says the big money-saver in her career as a freelancer has been owning a professional-quality printer. They're not cheap, so it meant spending quite a lot of money in the beginning. But she's made it all back and then some – and if your specialism means you need to do a lot of printing, you might find the same. "Over time I was happy to have it since I didn't have to throw huge amounts of money at professional photo prints whenever I went to conventions or sent them to other people. So, choosing a good big format printer with bigger cartridges was definitely a choice that I didn't regret." Here's our guide to the best printers around (at the best prices) to help get you started. 03. Work out what you need to live on Before she started freelancing, the typographer Nicole Phillips made a bare-bones list of household expenses – not a single luxury among them. This way she knew exactly how much money she needed to make each month to break even. "This was critical," she says, "so I didn’t spend money I didn’t really have." That doesn't mean you blow everything over the break-even point. Phillips puts a bit of money aside for her tax bill and to upgrade her tech and software when needs be. "I usually do both the tax and tech fund based on a percentage of my income for the quarter so I don’t get caught short with unexpected expenses." 04. Don't upgrade just for the sake of it Check it'll improve your work before shelling out for all the latest gadgets Jaime Zuverza says newest isn't always best. The Austin-based designer and musician says too often people upgrade gadgets and software just for the sake of it. "You probably don't need the latest greatest programs and technology if you're an illustrator," Zuverza says. "I use a nine-year-old version of Adobe CS and an eight-year-old laptop." If something's working for you, don't feel you have to upgrade just because everybody else is. Make sure there's going to be a real benefit to your work before you get your wallet out – chances are owning the iPhone one model up from yours isn't going to have a huge impact on your career. Is a slightly lighter laptop with a slighter bigger screen going to win you more commissions? That said, don't plough on with tools or software that's holding you back. Do your research into what the most cost-effective solution is for your personal needs. We have a range of buying guides on everything from the best laptops to the best drawing tablets to help you make sure you don't waste your money on features you don't need – and our automatic price-checker means you'll see the best offers around. 05. Be wary of headhunters Justin Gignac is co-founder and CEO of creative talent network Working Not Working. He says one of the best way to be a thrifty freelancer is by not working with headhunters, who will mark up your day rate. "Some headhunters and staffing companies," Gignac says, "charge anywhere from 15-20 per cent commission for placing you in a freelance gig, meaning you’re worth more than you’re charging and should be getting paid more." His solution is simple: if a headhunter brings you a job you desperately want, then take it. But ask them to be honest about their fees so you know your true day rate and can negotiate that price in future. "You don’t have to stress as much about saving when you’re actually getting paid what you deserve." 06. Be mindful of the price-effort balance Pascal Campion points out that the highest-paying jobs don't always mean the best hourly rate The artist Pascal Campion says all freelancers should be thrifty with their time: "Too often freelancers ask for too little and put in way more hours than they need into a job and don't even dare to charge these to the employer." Let's say you've a got a couple of jobs offer: one pays £100, the other £1,000. The higher fee isn't necessarily the better of the two. You need to know how much work, time and effort, will go into each, then you can work out which really pays better. "If more freelancers just ask for what they are really worth – and I am not meaning what they feel they are worth but what rationally they know they are worth – they could relax a little, focus on the job at hand and not have to scramble with 15,000 jobs to pay the rent and buy medication to keep them calm." 07. Only buy what you really, really need Worried about quitting your job to go freelance? Take some advice from Armand Serrano. The Filipino artist and animator recently went freelance after packing in his job… at Disney! Being an independent artist takes discipline, says Serrano. But "buying smart" is a discipline of its own. You need to master it. Before you buy, no matter how discounted those trainers are, no matter how good the reviews are at that new taco place, you need to ask a couple of key questions. "Whether it's for work or personal use, before I make a purchase, I always ask myself: Do I need it? Or do I want it? Always works for me." 08. Get the right insurance Illustrator Emmeline Pidgen recommends getting your professional insurance via a creative organisation For freelancers who need public and products liability insurance (which cover your business against injury you cause to a third party during business activities) or professional indemnity insurance (for claims arising out of an actual or alleged breach of your professional duty), illustrator Emmeline Pidgen recommends UK freelancers join the a-n organisation. A £38 yearly membership includes £5m PPL insurance and £5m PI insurance. "It works out far cheaper than a lot of insurance quotes on their own – plus you get access to a great creative network!" says Pidgen. 09. Reuse your work Sculptor Romain Van den Bogaer has only been freelancing for three years. Saving money isn't his goal just yet – any profit goes straight back into new equipment and software. But he's still got one eye on the future. He always looks ahead at least six months to ensure he has money coming in. That means planning for conventions where he can sell pieces and scheduling workshops where he can teach. But his best tip for being thrifty is about making your work work for you: "I try to create artworks for multiple purposes at one time. A demo piece for an educational workshop can be finished later at my studio and be part of my next resin casts releases, then the original piece can be displayed and sold in a gallery." 10. Don't live in the most expensive cities Thanks to remote working possibilities, you don't need to live in the main creative hubs any more Where you live can make a huge difference to your cost of living, and today, it's possible to have clients from around the world, wherever you're based. Photographer Maciek Nabrdalik used to live in the US. He's now back in his home country Poland, where living costs are considerably cheaper. He has few overheads and tries to work with international clients who generally pay more than domestic ones. If he travels for work, he'll often extend his stay by a few days and get some personal work out of the visit. And, vice versa, if he wants to go somewhere to take pictures, he'll get an assignment that sends him to that particular place so he saves on flight fares, hotels, and expenses. Read more: 6 ways to save money as a freelancer 5 ways to get more freelance work in 2019 10 good reasons for turning down work View the full article

You're reading A Look Back at 2018. Our Plans for 2019., originally posted on Designmodo. If you've enjoyed this post, be sure to follow on Twitter, Facebook, Google+! A year in review is a great way to compile everything and appreciate how much we have accomplished in the previous year. In this post, we’ll take a look back at 2018 and share our plans for 2019. View the full article

Many of us now have some kind of voice assistant around the home, whether it be an Amazon Echo, Apple HomePod or a Google Home. It seems that voice is going to have a huge impact on the way we go about our daily lives, and as web developers we need to ask ourselves, what are the ways we can improve user experience by implementing voice into our websites and web applications? In this tutorial, we are going to be building a simple Alexa skill that updates the news content on a website. The category type will depend on the voice input by the user. It would help if you have some experience with AWS already, but there is a lot of documentation out there to help you out if you get in a pickle. 10 steps to an engaging user experience What will I need? First, find the files for this tutorial on GitHub. You will also need to register for an Amazon Developer account and an AWS account. Firebase will be used to store our user input, so make sure you sign up for a Firebase account. We will also be using the News API to get the latest news stories, so get yourself a free API key at newsapi.org. Intents, utterances and slots Here are the utterances we have setup inside the Alexa Developer Console for our skill. Feel free to add more Once you are set up, navigate to developer.amazon.com/alexa/console/ask and click on Create Skill. The first thing we need to do is set up Intents, Utterances and Slot Types inside the Alexa Developer Console. An intent is what the user of the skill is trying to achieve. Utterances are specific phrases that users will say when talking to Alexa, for example: 'What day is it?'. A slot is a variable that relates to an utterance, for example: 'What time is it in {place}?'. This would make {place} the custom slot. Select Intents from the left-hand side of the dashboard and click Add Intent. Make sure Create Custom Intent is selected and type ContentUpdate in the text box: this will now become our function name later on. We now move on to utterances, which is where we are going to need to take the category of the news that the user wants to update to. We will be using category as our slot name and then set up the following utterances: Finally, we need to create a slot type, where we will write out a couple of inputs that we expect to get from the user. From the left-hand side of the dashboard, click Add next to Slot Types. Type in 'NewsType' and click the 'Create custom slot type' button. Under Slot Values, you will need to add in some news categories. We will use Sport, Business, Technology and Politics. Once you are finished, make sure you have selected NewsType from the dropdown as the slot type for category. AWS Lambda function We will now head over to Lambda inside AWS. Select Create Function and then select the Blueprints radio box. Make sure you select the alexa-skill-kit-sdk-factskill from the list and click Configure. Give your function a name and then create a new role. When finished, click Create Function at the bottom of the page. You will need to select Alexa Skills Kit as a trigger for your function, then we can move onto the function itself. We won't be using the built-in code editor for this project; instead we will be writing out the functions locally and then uploading a zip file. Make sure you copy the contents of the index.js file inside the Lambda editor, as we will paste this inside our local project. Create a local project We will start by creating a new Node project locally. Inside our own index.js file, we will paste the contents we just took from Lambda. We need to import Firebase and the Alexa SDK using NPM. Make sure you include the references at the top of your index.js file. You should have some default code already there, one of which is called 'LaunchRequest'. This is used to welcome the user to the skill. All you need to do here is change the welcome message to 'Welcome to website update'. If you use the :tell command then Alexa will end the skill after the message, whereas if you use :ask then Alexa will listen for eight seconds for the next prompt. We will be using :ask, so that Alexa is ready to listen for our update prompt. Firebase configuration Next, we need to add our Firebase configuration details at the top of the index.js file. ContentUpdate function The Alexa simulator is a great way of testing your skill on your machine without needing an Amazon Echo device Earlier in the tutorial, we created an intent called 'ContentUpdate'. This means we need to create a ContentUpdate function, where we will respond to the user input based on the Utterances we created. So, if the user said 'Update to sport', then this function would be called. We begin by creating a variable called categoryType, which takes the voice input of the user. We then store the category type inside the Firebase database and get Alexa to tell us the name of the category we updated to. After you save your index.js file, you will need to zip up the project. Navigate to the project folder from the command line and type the following command. Head back to your function inside Lambda and scroll down to the Function Code section. From the drop-down box for code entry type, select 'Upload a .zip file'. You will now be able to upload your zip file. Before you test your project inside the Alexa simulator, take the ARN on the top right of the Lambda page and input this inside the Endpoint section of the Alexa console. To test your skill, all you need to say is 'Open web update' and Alexa will respond with 'Welcome to web update'. If you now say 'Update to sport', Alexa should say 'you updated to sport'. The word 'sport' should also appear under preference inside your Firebase database. News page Here is what the final HTML page will look like. It will display the category that you requested through Alexa Finally, download the news page I created (index.html) from the Alexa Project – HTML folder on GitHub. Open up the main.js file and enter in your own Firebase configuration details on lines 1-8, like we did earlier in the tutorial. You will also need to enter your News API key from newsapi.org on line 11 of the main.js file. If you now open the index.html file, it should load in some news stories from your chosen category. Every time you tell Alexa to update with a new category (sport, technology, business or politics), the news story category on the page will change. Alexa, onwards! This is only a small example of what you could achieve with Alexa and hopefully gives you a good foundation for any future voice projects. You could always add in more slot values to get more categories from the API or even update the project so that it pulls in your own website news/posts. I can't wait to see how web and app developers will include Alexa in their projects. This article was originally published in issue 313 of net, the world's best-selling magazine for web designers and developers. Buy issue 313 here or subscribe here. Related articles: Why voice UIs are the next big thing in web design Voice prototyping added to Adobe XD The ultimate guide to all Amazon devices View the full article

Want to design user-friendly apps that will be a hit with your target audience? You can learn everything there is to know about UI and UX design with The Complete UI & UX Design Master Class Bundle. For just $39, this bundle will walk you through how to use Photoshop, Illustrator, and InDesign – critical software for any UI expert. You'll also learn how to design mobile app icons and gain a solid foundation in typography. You'll even gain some important know-how in how to launch a freelance career as a UI and UX design master. Get The Complete UI & UX Design Master Class Bundle for only $39. Related articles: Top UI trends for 2019 Add UI animations to your site The pro's guide to UI design View the full article

Packaging is something we're bombarded with on a daily basis. Creating an eye-catching packaging design that suits the product, stands out on crowded shelves, and doesn't cost a fortune to produce is a real challenge. In this post, we've rounded up standout examples of packaging designs to guide your efforts. For more inspiration, jump to page 4 where you'll find a list of handy free online packaging design resources. Now more than ever, packaging design matters. A economic struggles and rising concern for environmental issues have added new challenges for packaging designers. Read on to explore the design trends shaping the packaging landscape right now. 01. Manos de Cacao Anagrama made a range of stains by hand, using different tools, for this unique packaging Premium bean-to-bar chocolate brand Manos de Cacao wanted packaging that felt simultaneously timeless and eye-catching. Inspired by the company’s local production process, Mexico-based studio Anagrama combined messy handmade textures with a vibrant colour palette and clean layouts. The result is a new visual system for the brand that places sophistication at the forefront and evokes an appropriately organic undertone. “Making a ton of stains by hand with different tools and choosing the right ones for each box was challenging,” says David Gutiérrez, partner and creative director at Anagrama. “However, this was also the most fun part of the process.” 02. Hardy The packaging for this premium smoked salmon is made from raw micro-corrugated cardboard printed in UV colour “Third-generation family business Hardy specialises in smoked salmon. The company turned to Portugal-based studio This is Pacifica to design stationery, packaging and a website that would communicate the premium quality of its product. “It’s a long-lasting process that can’t be rushed. From salting to smoking, each stage is executed to perfection. So we created the idea of ​​Hardy ‘Smoked Masterpieces’,” explains creative director Pedro Mesquita. The identity combines two main elements: an abstract salmon symbol, and a fun, sharp wordmark that could have been cut by a knife. “The packaging was treated as an extension of the brand,” says Mesquita, “and is entirely made of raw micro-corrugated cardboard printed in UV colour.” 03. Thomas Kosmala Concrete kept things abstract to suit the conservative Middle Eastern market for this perfume Looking to break into European and global markets, emerging perfume brand Thomas Kosmala tasked Toronto-based agency Concrete with a complete brand overhaul. The new packaging marries classic with contemporary, unexpectedly wrapping a sophisticated custom typeface around the edges of the perfume box and over a subtle emboss. “The brand needed to appeal to both Middle Eastern and Western audiences,” explains chief creative officer Diti Katona. “Sensuous, provocative and sometimes raw photography conveys the depth and richness of the scents, but is abstracted in the packaging to comply with the conservative sensibilities of the Middle Eastern market. A more explicit use of the imagery is employed in digital media, and it’s more subtle in print experiences,” Katona adds. 04. Wild Island Sacred Tree Thirst created a juicy colour palette using watercolour After designing the bottle for Wild Island Gin, drinks branding studio Thirst was tasked with designing a second edition, Wild Island Sacred Tree. Inspired by the gin itself – which is infused with hand-gathered botanicals from the small Scottish island of Colonsay – the studio looked to the island’s ripe bramble vine to create a deliciously juicy colour palette using watercolour. “The brief was to capture the essence of autumn on the island, and the wonderful bounty of berries and botanicals it produces,” explains creative director Matt Burns. Thirst paired the autumnal colour palette with a simple wordmark that gives a nod to the island’s Viking heritage. When it came to applying the fluid watercolour design to the bottle, the texture was printed on both sides of the transfer, enabling it to be viewed through the distortion of glass and liquid. “This allows the watercolour to take on new life, constantly changing as the bottle is rotated,” adds Burns. 05. Halo Underline Studio went for an energetic, slightly rebellious look for this brewery packaging Halo is an adventurous brewery that takes the traditional recipes of rare styles of beer and experiments with the ingredients. With a taproom and bottle shop that welcome inquisitive visitors, the brewery needed an approachable brand that matched its unconventional sensibilities. “We created a logo, labels and packaging that use geometric patterns in unexpected colours, resulting in a look that’s energetic, modern and a bit rebellious,” explains Claire Dawson, creative director at Underline Studio, the studio behind the project. “This direction was very intentionally chosen as a way for Halo to stand apart visually in the craft beer space.” Dawson admits it was a challenge to keep each label unique while still being recognisable as part of a larger system. “But finding abstract ways to graphically represent each of the beers was our favourite part of the project,” she adds. 06. Juice Society This juice branding balances scientific iconography with a touch of whimsy Third-year design student Ryan Hicks was tasked with revamping the visual identity of Austin-based juice bar Juice Society as it expanded into the wholesale market. “They felt that their previous identity was too rustic and gave an outdated reflection of their upbeat spirit,” explains Hicks, adding that the company has a philosophy of promoting realistic balance when it comes to wellness. “I decided to convey this playful attitude through an ecosystem of whimsical, somewhat scientific iconography that hinted at the juice’s benefits, but provided some element of optimism,” he says. “I also wanted to convey the brand’s unconventional approach to the health realm, so to stand out on refrigerator shelves and catch shoppers’ eyes, I chose to design the labels to be as minimal as possible.” 07. Stefano Sauces Each sauce has a unique typographic treatment Montreal-based agency lg2 took an original approach to its branding of the first ready-to-eat products from well-known chef Stefano Faita and his partner Michele Forgione. Featuring a jovial, energetic caricature of Faita, the identity gives each sauce a unique typographic treatment – with nutritional and legal information presented in an unusual vertical fashion outside the shape. “It was a major challenge to differentiate the brand in this type of category, where all brands merge into one,” says David Kessous, creative director at lg2. “The concept’s originality produced a real, appealing identity and packaging that leaps out.” 08. Fierce & Noble Halo wanted brand packaging that would jump out from the shelf Bristol studio Halo was approached to create a strategy, name, brand identity and packaging for a new craft brewery in St Werburghs, Bristol. The name – Fierce & Noble – represents the brewery team’s fierce independence and respect for the heritage of the craft, while the bold creative, custom type and bespoke patterns reflect the local vibrancy of its location. “The product needed to jump out on bar and shelf,” explains Halo design director Andy German. “And what with the brewery being in a creative vibrant area of Bristol with other craft breweries in it, it made sense for the building to stand out and be seen. The main pattern for the brand was based around the ampersand we made – my eyes went a bit fuzzy creating this one.” 09. Colors Music fans can customise their own record sleeve by moving around the coloured transparencies Musician Beck’s latest album Colors sports a customisable record sleeve created by designers Jimmy Turrell and Steve Stacey. Formed from layers of different die-cut coloured transparencies, the cover can be assembled into a bespoke sleeve by listeners. “We decided on a route of colour and shape – simple and strong,” explains Turrell, who was art director and video director on the project. “We tried not to set too many restrictions on where we went with this in the initial stages. We started looking at a whole range of things for inspiration – childhood games like Ludo and Connect 4, old VHS and cassette packaging, all the way through to artists like Bridget Riley and Piet Mondrian, and Beck was really open to us experimenting. Seeing it all out there – and the positive feedback it’s been getting – is really satisfying.” 10. Artisan lg2 wanted to up Boréale's credibility in the microbrewery space When Québec-based microbrewery Boréale launched a new series of beer, Artisan, it tasked creative agency lg2 with designing the new identity. “The client’s main objective was to restore the brand’s credibility among fans of microbrews,” explains graphic designer Marie-Pier Gilbert. “We had to establish Boréale in a niche segment without detracting from its mass appeal.” lg2 worked hand-in-hand with the master brewer. For some products, the recipe influenced the artistic direction; in other cases, the reverse happened. “For example, for the Pilsner des Mers, the name and design were developed first, which then inspired the master brewer to give the recipe a salty note,” says Gilbert. “Flexibility and listening were a big part of the teamwork.” 11. Moses Lake Cellars These labels were designed to work together as a collection [click the icon to enlarge] Thirst is a design agency specialising in the craft drinks industry, and it's currently exploring new techniques and executions in packaging design as part of its Studio Series. This range of bottle labels for luxury wine brand Moses Lake Cellars was designed to work as a collective on a dinner table. "We wanted to explore typographic lettering techniques that were bold and youthful, yet still carry the luxurious qualities associated with wine," says Thirst. To give an extra touch of luxury, the studio used heavy paper stock, and each label is double folded, white onto gold. 12. CS light bulbs These clever boxes pair light bulbs with insect illustrations Everyday products such as light bulbs tend to lend themselves to fairly utilitarian packaging, but these, produced by Belarus electrical company CS, boast beautiful boxes that turn the product into an important part of the packaging design. Designed by Angelina Pischikova, with line illustrations by Anna Orlovskaya, this amazing packaging uses detailed drawings of insects, and the bulbs themselves are paired with certain bugs depending on their shape and size. Long, thin bulbs are stored in dragonfly boxes, while the coiled stripes of an energy saving bulb become the abdomen of a bumble bee. 13. Dolce Dolce's packaging uses imagery from Alice in Wonderland Located in the heart of Belgrade, Serbia, Dolce is a cake shop that combines traditional techniques with a modern approach. Independent design studio Metaklinika was tasked with creating a range of packaging for the brand. The whimsical result takes inspiration from Baroque aesthetics, and uses iconography based around the theme of Alice in Wonderland. 14. Leafs by Snoop Pentagram's designs for Snoop are dope as heck With cannabis slowly becoming less and less illegal in the USA, cannabis branding is increasingly becoming a thing, complete with packaging to match. Snoop Dogg brought in none other than Pentagram to design the brand identity and packaging for his line of cannabis products: Leafs by Snoop. Stepping far away from the idea of furtively buying a grubby little bag of greenery, Pentagram's designs include a distinctive leaf-based logo (including an animated version), luxurious weed boxes and a range of edibles including six chocolate bars and cannabis sweets called, of course, 'Dogg Treats'. 15. Colour me Blind Graduate Alexandra Burling's designs for milk, cornflakes and tinned tomatoes are aimed at visually impaired customers For her graduation project at , graphic design student Alexandra Burling wanted to see if it was possible to create an aesthetically appealing packaging design for the visually impaired. Following her research period, she decided to focus on groceries. “I wanted to give blind people the liberty of doing something so obvious as going down to the supermarket and buying milk,” explains Burling. "The aim was to provoke discussion and pave the way for innovative thinking about how packaging design can appeal to more senses than sight." Next page: 15 more innovative packaging designs 16. The Lovely Clinic SomeOne used this painterly design to represent transformation London-based creative agency SomeOne created this tactile packaging as part of its branding scheme The Lovely Clinic. Faced with the challenge of branding a beauty client, SomeOne decided it was time to challenge the industry norms. “The beauty sector is awash with images of impossibly beautiful women, who hint that if it wasn't for a particular brand, they would resemble the back of an elephant rather than a glowing example of perfection,” it points out on its website. “We centred on the visual theme of paint – globally recognised as a way of either enhancing the existing – or a way of working with basic elements to create something astonishing,” adds senior designer Tom Myers. 17. Brandless Brandless trademarked the white space on its designs US company Brandless has taken minimalism to the extreme by trademarking white space in its range of food and home items. Co-designed with Brooklyn agency Red Antler, each product is made up of a single colour with the white box design dropped on top. The text in the boxes is effectively negative space, and is readable thanks to the colour underneath peeking through. Interestingly, the lack of identity means that the range can dodge a fee known as Brand Tax, which means Brandless is able to sell all the products at a standard price of $3. Read more about the range here. 18. Chandon Butterfly Canon has created some brilliant limited edition branding After the huge success of its American Summer limited edition bottles, sparkling wine brand Chandon approached London-based agency Butterfly Canon to create a new series of limited edition branding. The sleek design retains the elegance and playfulness of the original concept whilst replacing the 'Americana' approach with a more globally recognised nautical theme. This way, European and other non-American customers will further relate to the brand. 19. Nike Air It's certainly inventive but does it beat the classic shoe box design? Nike Air is arguably one of the most popular sneaker designs ever released. Not content with a regular old shoebox, Berlin-based agency Scholz & Friends came up with a brand new, reimagined packaging design for its favourite trainers. Very much taking the 'Air' aspect into account, the team placed the sneakers in an air-tight plastic bag to give the illusion of floating trainers. Highlighting the Air cushioning of the brand, this design also reduces the risk of damage when shipping. 20. Nail packaging A clever pack helps prevent any painful incidents Designer Melissa Archer 's project manages to make a boring set of nails look sexy – getting the thumbs up from us. The simple but clever packaging hangs from the user's belt loop, providing easy access without reaching into a box, bag or pocket and being stabbed. The materials and typography used for the design adds a touch of sophistication and desirability to what would usually be thought of as a pretty mundane object. 21. McDonald's Fries Ben Frost puts a graphic design twist on the iconic fries packaging How about a side of art with your burger? McDonald's packaging is as recognisable as packaging comes but artist Ben Frost decided to mix things up by drawing some famous faces as well as some pop-culture icons onto the red and yellow box. 22. Phantom Cigar Old naval symbols really bring out this packaging design Here, designer Alex Pabian uses old naval symbols and a minimal design to reinvent the packaging for an exclusive brand of cigars. Alex is a Polish/South African graphic designer and art director, currently based in Miami, Florida. This project involved the redesign of the case, labels and tubes, with a vintage look and feel. 23. Onuma Honey This is a truly bee-autiful piece of packaging design This offering from Japanese studio Akaoni Design is a bee-utiful example of 'less is more' when it comes to packaging. It consists of a small jar, simple stickers and classic brown paper, with an array of sweet coloured stamps to finish it all off. Art direction and design was taken care of by Motoki Koitabashi and it's clear he knows what's he doing when it comes to making a striking impact in the aisle. 24. Spine Vodka This vodka brand gets down to the bare bones of packaging German designer Johannes Schulz created this inspirational packaging for Spine Vodka. "It was a private project I started after my graduation of an international communication design school in Hamburg, Germany," he explains. "Spine is a high quality product just like the design, reduced and simple with a consciously 'twist' in his message and a memorable name fitting to the project." Integrated the spine with the ribcage to communicate a product with a 'backbone', the uniqe 3D design approach sets it aside from its 2D counterparts. "The transparent glass material stands for a product that doesn't have to hide something," Schulz concludes. 25. Allsorts Black and White A new look for an old-school sweet Back in 2014, Liquorice Allsorts had a mini facelift from Bond Creative Agency for Cloetta – a leading confectionary company in the Nordic region. The new packaging used the traditional sweets' distinctive shapes and colours and used them as the basis for a more modern design. The agency's recent update for Cloetta's Black and White edition follows the same theme, but with the colour stripped away. "The silver print and matt finishing give a tasty touch to the functional cardboard box," says Bond. 26. Karamelleriet A sweet packaging style for these caramels Copenhagen design studio Bessermachen created this frankly beautiful branding and packaging design to reflect the handmade aesthetic of the caramel producing Karamelleriet. Creating an entirely new visual identity that contains everything from the logo to packaging to display and flyers, Bessermachen has achieved an expression that is caramel production worthy. 27. Cervecería Sagrada This packaging captures the colourful spirit of Mexican wrestlers While Corona is probably the most recognisable beer exported from Mexico, Cervecería Sagrada is a Mexican craft beer that captures the country's colourful history and spirit in its label. Designer José Guízar was inspired by Lucha Libre wrestlers, who wear bright masks and have equally colourful personalities. During the 1950s Lucha Libre were considered folk heroes and starred not only in the wrestling ring, but also in comic books and movies in Mexico. Guízar’s labels recreate the masks of some of the most famous and recognisable wrestlers. 28. REN Skincare Kangan Arora is a London-based designer with a particular flair for bold textiles and vivid prints. Global skincare brand REN brought Arora in to create Christmas gift packaging to go with the theme ‘little boxes of joy’. The studio created seven different abstract patterns inspired by traditional festive products such as wrapping paper, fairy lights and cosy textiles. 29. Stranger & Stranger Spirit No. 13 Stranger & Stranger No 13 comes boxed and bagged in retro newspaper Beverage bottle branding guru Stranger & Stranger designed this limited edition holiday give-away liquor that features one of the most detailed labels you will ever see. The Spirit No 13 label just screams vintage and consists of over 500 words. To top it all off, the bottle is presented wrapped in a specially printed piece of newspaper that gives it what they call a 'moonshine' feel. 30. TIQLD TIQLD's packaging visualises the story that accompanies the spice blend When planning the packaging design for spice blend range TIQLD, Alphabet used humorous illustrations to convey a playful, confident brand identity. The pouches each feature a split design capturing an unexpected combination of objects. “We wanted to bring the idea of making meals more bold and adventurous into the brand imagery. The structure of the illustrations combines the base ingredient that the spice works with (either meat, fish or veggies) and juxtaposes this with an unexpected abstract element that visualises the story that accompanies the spice blend,” explains Alphabet. “The stories not only represent the bold personality of the brand but also the bold flavours that they create.” Next page: More innovative packaging designs 31. Topography of America State Magnets This design was inspired by a jigsaw This stunning example of packaging design was created through a collaboration between Mette Hornung of Bureau of Betterment and Greg Jones of Fifty-Four Forty. The packaging design was inspired by the jigsaw used to assemble each state, with a piece of charcoal coloured chipboard sandwiched between layers of thick cardboard. To highlight each state's unique attributes, a small pamphlet with state facts was created with images and notable geographic landmarks. 32. Poilu paintbrushes Some paintbrushes have been dyed to create a 'beard' This excellent example of packaging design comes from Simon Laliberté and offers the function of assembling two paintbrushes together with only one cardboard piece, which is printed on both sides. The natural hairs of some paintbrushes have been dyed to give the illusion of the moustache and beard combos. The font at the top of the handle is also noteworthy. 33. TeaPee Tear away the pattern to reveal your teabag Canadian art director Sophie Pépin drew inspiration from the roots of the Native American nomadic lifestyle for this tea packaging design she calls North American Teapee. The Native American patterns that are placed around the packaging are cleverly torn away to reveal the teabags themselves. 34. Mighty Nuts Maija Rozenfelde focused on user experience and function This incredible pistachio packaging design was created by student Maija Rozenfelde, when she was still completing her degree in packaging design at Pratt Institute. She says of the design: "A crucial part of the thought process was to focus on user experience and second function of the package. The main intention was to create graphics that depict the crunchiness of pistachios, that’s where the hand-made type treatment comes in." 35. Helvetimart Switzerland's regional flags provided the inspiration for these food packaging designs Helvetimart is a Swiss shop that sells specialty food products. For its packaging design, branding heavyweight Anagrama took inspiration from the regional flags of the country's 26 sovereign states. "We simplified these flags to create a homogeneous language, using representative elements and colours to develop the labels for the brand’s products and the signage within the store to ease its navigation," the agency explains. 36. The Great Bonza This packaging design is as eccentric as the wine brand itself When designing the packaging for this Australian wine, Swedish advertising agency United Power wanted to create something cheerful and retro, that also related to the product's heritage. "We thought: since the wine is powerful in flavour, and The Great Bonza is a quirky name for a wine – why not use a quirky Australian circus?" says the agency. "The design is playful with a nod to the classic image of the boxing kangaroo. We chose happy and bright colours that are perhaps a little unexpected in the context." 37. Utopick Chocolates Origami is the theme running throughout this chocolate packaging Based in Valencia, Spain, Lavernia & Cienfuegos is a multidisciplinary design studio specialising in graphic, product and packaging design. When master chocolatier Paco Llopis required a new design and packaging for his products, the team pulled out all the stops. Llopis already had an icon: a ship, to represent the spirit of adventure and hint at the long journey cocoa pods must make to reach the chocolatier. Lavernia & Cienfuegos opted for an origami version of the ship, a decision that led the theme for the rest of the packaging design. "Utopick package their batches by hand so we created a unique way of folding the paper to wrap the bars," explains the team. "The paper folds to create two triangles on the front of the design, each with their own colour and texture, personalising every bar." 38. Görtz 17: Shoelace Box Reinventing the shopping bag Claiming to be the first recyclable shoe bag, which is also 100 per cent biodegradable, this bag from design agency thjink screams innovation. This Görtz bag changes the idea of the shopping bag by getting rid of the awkward plastic handle, introducing tough and stylish shoelaces and replicating the colours of Görtz 17 converse shoes. Best of all, you get a pair of free laces. Next page: 18 top packaging design resources The web is a wonderful thing, brimming with resources and inspiration for people interested in packaging design. But, sometimes, too much choice can be confusing, so we've picked out the top online packaging design resources to help you really get to grips with it. 01. Packaging of the World There are hundreds of packaging designs to inspire you on Packaging of the World Packaging of the World is an extensive gallery showcasing the most interesting and creative packaging designs from around the world. This site is really well organised; you can choose to search for projects by category, country, product type, most popular, and so on, to narrow down what you're looking for. A brilliant resource in the area of packaging design, and updated regularly with new examples. 02. The Dieline Find the latest packaging designs and news from around the world If it's information and inspiration on packaging design that you're after then The Dieline is a fantastic place to start. Founded in 2007, the site aims to define and promote the world's best packaging design. As well as news and opinion pieces, this site features a jobs board and a library of packaging designers and suppliers. 03. Designspiration Find and share awe-inspiring packaging designs with Designspiration All sorts of creative goodness comes together at Designspiration. Created by Shelby White, Designspiration is a hub for collecting and sharing ideas, including a whole host of interesting and innovative packaging designs. The frustrating thing about this site is that there's nothing in the way of commentary; just images – and often there are no links to the creator of the packaging to enable you to explore further. However, for purely visual inspiration, it's great. 04. BXP For all things packaging design related, check out this brilliant blog Formerly Package Design, Brand Experience – or BXP for short – is a fantastic resource for all things packaging design. The site features work from designers all around globe, the latest industry news, upcoming talent in the field, a resources section and much more. You can also narrow articles by material, to find exactly what your looking for. 05. Pinterest With hundreds of images to browse through, you're sure to find some package design inspiration on Pinterest With hundreds of thousands of inspirational images in its archives, and more being added every day, we couldn't not include Pinterest on this list. Simply type 'package design' into the keyword search and watch the work appear. A popular subject on the social networking site, you'll find yourself scrolling down on what seems like a never-ending page of packaging design projects. 06. Brand New Brand New focuses solely on corporate and brand identity work A division of design firm Under Consideration, Brand New focuses solely on corporate and brand identity work, and features a vast library of inspirational packaging designs. But this is not just a showcase site; as well as all the beautiful imagery featured, many of the designs here are reviewed in detail, with experts giving their opinion on if, how and why each concept works. 07. BP&O Freelance designer Richard Baird shares his thoughts on new branding work on this blog BP&O is a blog run by British freelance designer and former writer for The Dieline, Richard Baird, who specialises in the development of branding and packaging. Baird picks recently developed designs, provides a short background and shares his thoughts and opinions on each. A great site for finding new work from around the globe. 08. Dezeen Dezeen offers news on experimental packaging Dezeen primarily explores architecture and interiors, but also offers interesting articles on product design and packaging. The resource is great for staying up to date with the more on the cutting-edge, experimental and innovative news in packaging design, including explorations into environmentally friendly packaging. 09. Retail Design Blog This site is paywalled, but there's plenty of great insight on offer Retail Design Blog (as you might expect) covers everything to do with retail design – so alongside the sections on materials and branding, there's also dedicated pages for store design and visual merchandising. You won't get too far without hitting the paywall though – if this site looks like it covers what you need, you'll need to shell out €10 a month to read everything (try it out with a free 30-day trial). 10. Ambalaj Check out designer Kristina de Verdier's blog for inspirational examples of packaging design Ambalaj is actually the personal site of packaging designer Kristina de Verdier, but offers some interesting insights. The site is split into Insight, Design and Technology sections, with plenty of interesting news and inspiring examples to dig through. 11. Packaging World Packaging World is updated daily with articles about packaging inspiration and materials Packaging World Magazine’s website is a great resource for professionals in packaging and manufacturing automation. It's not the best looking site, but it is updated daily with articles about packaging inspiration, equipment and materials, and provides a great way to stay up to date with the latest news about packaging. 12. Packaging UQAM French site Packaging UQAM is an excellent showcase of innovative packaging research French site Packaging UQAM collects together amazing packaging that might have flown under your radar. If your French is not up to scratch, don't worry – there are English translations included. Here you'll find creative solutions for storing trowels, golf tees, wishbones and plenty more unusual products. It's the place to go if you're looking to shake up your research and discover original ideas. 13. Behance There's an awesome collection of packaging design work to inspire you on Behance If you're a designer, you'll know Behance – but it's worth including here in case you'd overlooked it. The online portfolio community features all manner of packaging design projects, created by artists of all skill levels, in everything from shoe and pharmaceutical design to alcohol and electrical product designs. And of course, there are new additions being added pretty much constantly. 14. Lovely Package Lovely Package doesn't look like it's being updated any more If, like us, you can't resist a lovely package, then you should definitely check out this cool blog. Lovely Package showcases some leading design work in the packaging world, covering everything from wine and beer bottles to toothpaste and kitchenware. At time of writing, the last update was in March 2018, so it might be the case that the site isn't being updated any more. Lovely Package features an archive of work from professionals and students alike, and with over hundreds pages of projects to browse through, you're still sure to find inspiration here. Related articles: 14 controversial moments in logo and brand design Online packaging archive is a design delight 5 mesmerising uses of illustration in branding View the full article

This is a hands on review of the Wacom Cintiq 16 to give you the chance to see what the new pen display is all about as soon as possible. We'll be expanding and upgrading this review shortly with more information and a score. The Wacom Cintiq 16 is Wacom’s most affordable pen display tablet ever. Aimed at students, enthusiasts graduating from the Intuos line, and jobbing creatives who can’t justify the price of a Cintiq Pro, the new Wacom Cintiq 16 - which was launched at CES 2019 – offers a cheaper way for artists to master Wacom’s industry-standard drawing tools. Grabbing the headlines is the price: the Cintiq 16 is less than half the cost of the pro version. But it comes with the same super-responsive pro-grade pen: the Wacom Pro Pen 2, with 8,192 levels of pressure sensitivity, tilt recognition and customisable buttons. As you’d expect, there have been some trade-offs to get the pen display down to that entry-level price. It’s 2K, for a start; and has a lower colour gamut than the Cintiq Pro. So how good is it? We had the chance to have a quick play with the Wacom Cintiq 16 here at CES. We’ll be publishing a full review on the site soon - in the meantime, here are our first impressions. The best drawing tablet in 2019 Wacom Cintiq 16: price and availability Sitting between the Intuos Pro and Cintiq Pro 13, the new Cintiq 16 costs $649.95 / £529 / €599.90. That’s significantly cheaper than the same-sized Cintiq Pro 16, which will set you back $1,499.96 / £1,399 / €1,599. It’s also cheaper than the iPad Pro, which costs $799 / £769 and doesn’t run pro creative programs (yet). And it comes bundled with the Wacom Pro Pen 2 - whereas you have to shell out another $99 / £89 for the Apple Pencil. Clearly, Wacom is looking to take on the growing market of cheaper Wacom alternatives that has developed over the last few years: Huion, XP-Pen and so on. These companies are producing excellent pen display and graphic tablets, and have found a loyal fanbase thanks to their much cheaper price points. Wacom still doesn’t win on price with the Cintiq 16, but it’s dramatically closed the gap - and still has the excellent Pro Pen 2 stylus up its sleeve. Most competitor pens top out at 2,048 levels of pressure sensitivity compared to its 8,192. Wacom's new Cintiq 16 is less than half the cost of the pro version Wacom Cintiq 16: display and drawing experience The new Wacom Cintiq has a 15.6-inch display with full HD resolution (1,920 x 1,080), rather than the 4K display of the Pro version. It can produce 72 per cent of the NTSC colour palette - versus the Cintiq Pro’s 94% Adobe RGB colour gamut - which means less colour accuracy, but not enough to hinder most aspiring artists. If you do photo or image-editing at a pro level, though, you’ll need the pro version. Certainly in our short time with the Cintiq 16, the screen appeared bright with vibrant colours. The bezels are wide enough to rest your plan while drawing, and while there isn’t multitouch control - so you can’t zoom or pan, or activate touch buttons with your fingers - it does mean you won’t accidentally invoke touch screen actions while you’re working. We liked the antiglare film coating, which felt like working on paper, and minimised reflection well; and we enjoyed the drawing experience: there are no cut corners here. The pen felt comfortable and responsive, and we didn’t notice any lag. We also didn’t notice any parallax – Wacom says it’s “reduced” - but there is a bit of space between the pixels and where the pen touches the screen, so we’ll test this fully, along with colour accuracy, in our longer review. Finally, bear in mind that the bezels don’t house any express keys. But Wacom’s Express Key Remote works with the Cintiq 16, so if you need programme buttons, you can buy a remote separately. Wacom Cintiq 16: features Compatible with Mac and Windows, the Cintiq 16 comes with a 3-in-1 adapter cable, which plugs into the power port on the back of the display and has both HDMI and USB plugs. As well as a set of high-grip rubber feet, the pen tablet features two foldable legs that can be used flat or at a 19-degree angle, and click into place when fully extended. They’re non adjustable, but an optional stand is available - and there are screw holes in the back panel that will fit different types of mounting system. Happily, the Cintiq 16 uses Wacom’s wireless electromagnetic resonance stylus technology. This means that – like the Pro line – the Cintiq 16 doesn’t need a battery and never has to be recharged. There’s also a handy fabric pen loop for storing the pen when you’re not using it, which you can snap onto the side of the display on whichever side you prefer. And inside the holder, you’ll find some spare Pro Pen 2 nibs and a removal tool. The excellent Pro Pen 2 stylus has 8,192 levels of pressure sensitivty Wacom Cintiq 16: early verdict Wacom has focused on creative professionals for over three decades. If you wanted to experiment with a Wacom pen display, you needed to fork out at a pro-level price point. But the new Wacom Cintiq 16 changes that. It isn’t a Cintiq Pro: you don’t get the UHD resolution, multitouch control or as many connectivity options. It isn’t as portable as a Surface Pro or iPad Pro either. But build quality appears similar, and for less than half the price of the 16-inch pro version you get what looks to be a very capable pen display. Importantly, you also get access to Wacom’s industry-standard drawing tools: these are the displays you find in most animation and special effects studios. If you’re a student or cash-strapped creative pro, we think you’re going to like the new Wacom Cintiq 16. Full review coming soon. View the full article

A remote attacker could exploit the vulnerability simply by sending an email. View the full article

Despite fewer plugins being added to Wordpress last year, the CMS saw an astounding tripling of vulnerabilities in its platform in 2018. View the full article

Overall, the chip giant patched five vulnerabilities across an array of its products. View the full article

Update: Adobe MAX 2019: what to expect Adobe MAX 2018 is in full swing, and boy, the software giant is certainly making an impression. Day one, waking into the South Hall of the LA convention centre, it’s hard to describe the scale of Adobe Max 2018. Approximately 15,000 seats, all filled with expectant creatives waiting to hear exactly what Adobe has been working on for the past 12 months is quite a sight. Sign up for Adobe CC now To start proceedings, a truly jaw-dropping keynote session, where Adobe leads took to the stage to reveal all. Adobe CEO Shantanu Narayen got the party going, telling an almost 20,000-strong audience: “Design has never been more important and we’re living a golden age of creativity.” The reigns were then handed over to Adobe Chief Product Officer Scott Belsky, who shared the stage with Adobe product leads and special guests, including Phil Schillier and Lilly Singh, to reveal all the latest Adobe innovation. We'll be updating this post with all the Adobe Max 2018 announcements as they happen, so don't forget to check back throughout the day to find out the latest – or follow us on Twitter, Facebook and Instagram. Read on for all the Adobe Max 2018 news, straight out of LA. The latest news from Adobe MAX 2018 Photoshop CC comes to the iPad Photoshop CC will soon be coming to the iPad, meaning that users will be able to make all the edits they’re used to on desktop on the go. The new Photoshop will have all the core tools of Photoshop CC, but will be optimised for touch devices, making the most of gestures, and the Pencil, with a new user interface designed especially for the iPad. It will also sync across devices, so you’ll be able to switch between working on desktop/iPad with ease. At the moment we don’t know exactly when Photoshop for iPad will take off, so watch this space for more news. Project Aero And the award for presentation that blows our minds went to... Project Aero. Adobe has been working on its AR software for a while now, but today the company took augmented reality to a new level, wowing the audience with some truly jaw-dropping demonstrations. "AR is the next breakthrough medium for creative storytelling," said Adobe senior product manager Zorana Gee, as she walked through Project Aero's capabilities. We weren't surprised when the Adobe Max 2018 crowd went wild for Project Aero, but it's something you really have to see to believe, so we'll leave this just here... Project Gemini: Adobe announces new digital art app Kyle Webster takes to the stage to showcase Adobe's new painting and drawing app Project Gemini Project Gemini is a dedicated painting and drawing app for the iPad that makes full use of Photoshop's powerful painting engine. Packed with intuitive features that capture the feeling of working with traditional art tools, Project Gemini allows users to mix paints just like in real life, experiment with exclusive brushes, and make the most of a multi-screen mode. Digital artists can also sync Project Gemini with Photoshop on the desktop, allowing for a seamless transfer of files. Adobe has put Project Gemini through rigorous testing with professional artists to ensure that the drawing and painting tools are as true to life as possible. Voice prototyping added to Adobe XD Adobe XD has become the first and only UX/UI platform to enable designers to create prototypes for voice-activated devices. New voice trigger and speech playback capabilities enable designers to move seamlessly between voice and screen prototyping: users can now add voice triggers that launch particular interactions (in the same way a tap or click would), while speech playback unlocks a powerful text-to-speech engine. As voice starts to play an increasingly important role in our digital experiences, XD now offers a way for users to design and share prototypes that extend beyond the screen. Adobe launches Premiere Rush CC Adobe's long-awaited video editing app, dubbed Project Rush, has finally been released. The newly christened Premiere Rush CC promises an intuitive, all-in-one experience that will make it easier than ever to create professional-looking video content (even if you're not a video expert yourself). It's currently only available on iOS, though. Photoshop CC gets the Sensei treatment Alongside some long-awaited minor updates, Photoshop CC sees the addition of some seriously impressive new tools, Adobe Sensei selection tool being one of them. In just one click, this tool automatically detects the object you want to select and does all the hard work for you. If this works as well as today's demonstration showed, this really could be a game-changer for Photoshop users. Keynote speakers Day two of Adobe MAX 2018 saw some of the world's creative leaders take to the main stage. In an almost two-hour session, comic artist Nicola Scott, American percussionist Questlove, YouTuber Lilly Singh and world-renowned director Ron Howard shared their stories to creative success. Here's what they had to say... Nicola Scott First to the main stage was inspirational Australian comic book artist Nicola Scott, who quickly warmed up the audience with an all-too-familiar story of how creative success did not come easy. Having first wanted to be an actor, and that not working out, Scott decided to see how her other creative talents could serve her. "It was one Sunday morning, when I reformed the question, that it hit me," she said. "Instead of asking what can I do with drawing, I asked what do I want to draw. And that's when I thought, oh my god, I want to draw Wonder Woman and that could be my job! Twenty minutes later, I was in a comic book store and that started my education." Scott went to do many illustration projects, slowly building a body of work, always with the goal that one day DC comics - home of Wonder Woman - would come calling. Having never previously had a plan or strategy when it came to her career, Scott was determined to make DC her goal, and, by reworking her strategy after every project with DC in mind, she finally got that call and the rest, as they say, is history. Albert Watson Named one of the 20 most influential photographers in the world, Albert Watson followed Nicola Scott with one of the most enthralling, engaging and funny talks we've seen so far. Watson took time to cover some of his truly fascinating 50-year career, including how he found Alfred Hitchcock 'beyond fabulous' and what it was like to photograph some of the most famous people in the world. Watson also went on to offer young photographers some expert advice. "A common weakness among young photographers is lack of planning, and being reliant on Photoshop to fix their images at a later date," he said. "The soul of the picture has to be when you press the button. It's absolutely essential that the creative force is piled on to what you want that image to be, so you should always have the idea first." Questlove and Lilly Singh Following Nicola Scott was American percussionist Questlove and YouTuber Lilly Sigh, interviewed by Adobe principal worldwide evangelist Jason Levine. In the short time they had on stage, both offered two super-useful pieces of advice to creatives. "The most important part of creativity is boredom," Questlove claims. "Allow yourself to have silence and be bored. Take at least two days off a month, sit in your pyjamas with no phone and let boredom hit you so inspiration can come." "Dwanye (The Rock) Johnson is the perfect example of breaking barriers and creating a path," Lilly Singh added. "He said 'When I was wrestling, everyone said, you can’t act'. He taught me you have to buck tradition. If I you want to be the girl who goes from YouTube to movies, then I can do that." Ron Howard The crowd erupted when legendary Hollywood director Ron Howard came on to the stage for the last half hour. A truly humble man, Howard explained his love for storytelling and fascination for true stories, before going on to share stories on what it was like working in the film industry for the past 60 years. Our favourite anecdote has got to be when he explained how when working with a 70-something Bette Davis as a 24-year-old director, having the confidence to actual direct his leading lady was quite intimidating, especially when she wouldn't call him by his first name. "I'll call you Ron when I've decided I like you," he said she told him. It was only after he asked her to rework a scene that turned out better that she did, indeed, call him - and gave him a cheeky slap on the ass. “The greats outwork everybody - and they don’t stop work at age 75,” Howard said. But the best piece of advice from the morning came from Howard as he said to the audience: "Someone has to help you understand early on that your creativity has value. You're not wasting your time dreaming." Read more: 7 insane tech sneaks from Adobe MAX Adobe XD and Adobe Dimension launched at Adobe MAX How to use Adobe Capture CC View the full article

When it comes to CMSs, we live in complicated times. Which system do you choose and what do you want to achieve? If your goal is simply to build an 'editable website', then you might need to rethink your goals. You should be aiming to create the beating heart of your digital ecosystem. WordPress is a very popular choice – and there are plenty of great WordPress websites around that make it clear why. However, it's by no means the only option when it comes to CMSs. So what exactly needs to be considered when making the toughest choice in digital? Here are a few questions you should be asking yourself when selecting the right CMS for your site. 01. What is your aim? A CMS should be designed to support all of the critical interactions and functions your business needs. I hear now more than I have ever done: ‘We have invested all this money in a website but it’s not delivering what we expected.’ Establishing real KPIs for the site will help you make the right decision. 02. How will success be measured? If you create KPIs for a site’s success, match them with the right level of insight. In my view, you can never have enough data around website usage. The greatest amount of time should be given to this aspect of the CMS strategy. If you can’t integrate an adequate level of analytics into the considered CMS, walk away. Also consider the rest of the ecosystem: ensure you have measurement in place to track the impact of changes across your digital real estate. 03. How will the site be managed? A website is like a living, breathing thing: it needs to be fed. Up-front, think about your organisation’s ability to manage it moving forward. If you are a team of one or two and are targeting a content-hungry website, you will be battling competing demands so ensure you consider how you will feed it. Sites that have been designed with high content demands will suffer far worse in the hands of small teams than those with more modest content needs. 04. How will the site be maintained? Before you get in bed with one particular CMS, consider what will happen further down the line. Digital changes constantly. Things will break. Code will need updating. This is where careful consideration should be given to choosing between a bespoke, an open-source or a proprietary CMS. With a bespoke CMS, you get the functionality you need. Your budget has paid for what you are going to use and not for things you won’t use. However, its biggest asset is its greatest limitation. In most cases, a bespoke CMS is developed by a single developer or a team. Their approach to development can sometimes make it very hard for another developer to take over. A bespoke CMS will need constant updates, so consider the real cost of a relationship with those developers breaking down. Open source is free to use. This can be all someone needs to hear to make it the weapon of choice. But, as with all open source, nobody really owns it. Yes, there are more developers out there who can develop for that platform, making it easier and cheaper to recruit. But, without the defined development roadmap of the proprietary CMS, you are somewhat at the mercy of the masses. The subscription fee that comes with the proprietary CMS guarantees not only a defined roadmap but also accountability and a support network moving forward. 05. How much personalisation will you need? Beware the lure of personalisation. This is some advice based on experience. True personalisation is very hard to achieve: it will require a great deal of investment. Managing and creating specific journeys for individual personas requires time. As with all decisions when choosing a CMS, consider the reality of living day-to-day with your chosen platform. Consider using as many automated approaches to content personalisation as possible. The flexibility of a CMS is reflected in the experience a user has. If you can’t put in, visitors will get out. These are just some of the considerations when choosing a CMS, and every option will come with its positives and negatives. As long as you are clear with what you need it to do up front, you will always reduce the risk of making the wrong choice. This article was originally published in net, the world's best-selling magazine for web designers and developers. Buy issue 313 or subscribe. Read more: Use WordPress as a headless CMS 18 great HTML APIs – and how to use them 10 amazing new CSS techniques View the full article

As the largest living land mammal on earth, elephants have quite the undeniable presence. At birth, elephants already weigh up to 200 pounds (roughly 90 kg), and in the case of a mature African Elephant, they carry the huge body mass of around 12,000 pounds (or 5,443 kg) everywhere they go, which explains why they have such bulky, sturdy structures and wide column-like legs. Elephants seem like an animal that would be fairly easy to draw just by constructing several big shapes together, but in order to realistically illustrate an African elephant, it's worth understanding their fascinating features, like the trunk, feet, and bone structure. By doing so, you'll start to notice subtle details that can be applied to capture a realistic drawing of an elephant. Pencil drawing techniques: 7 tips to improve your skills In this step-by-step tutorial, I'll be showing you how I approach a drawing of an African elephant's profile view. I'll demonstrate how to block in simple shapes and cover very basic anatomy structure to understand what lies under the skin. Then we'll carve out the mass and form of the body before diving into the details of the skin. The elephant's wrinkles and crevices are also important features we can't forget. Before you start the tutorial, don't forget to pull up your own reference as you follow along. And if you enjoy learning how to draw an elephant, make sure to check out our other brilliant how to draw tutorials. 01. Draw the torso The two bumps on the back are equal in height Draw a big circle and divide it in half. Take half the width of the circle to measure out the torso to the left. Form a bean like shape and make sure the belly side slopes down to the right. 02. Attach the legs The column like legs support and balance the heavy body Take the middle of the torso and duplicate the height of the bean to measure the distance to the ground. Divide the torso into three parts; the shoulder, stomach and hip. Block in long rectangular legs tapering in towards the bulging foot like a tall glass shape. The back legs will look more like an hour glass with the middle taped in. 03. Connect the neck and trunk The trunk has a subtle S curve and the tip curls to avoid touching the ground Draw a rhomboid shape for the head that's as wide as the shoulder width. Divide it into quarters and draw the trunk starting from the middle of the head. The trunk comes out touching the tip of the head and droops down to the ground. 04. Attach the trunk, eye, ear and tail The tusk's length is determined by their age; the older they are, the longer the tusk Fill in a circle for the eye a little lower and left off the centre of the head. Right below the eye, follow the centre guideline to draw the long curved tusk. The skin will overlap right at the bottom of the head shape. The ear will look like big butterfly wing-shapes that covers the entire neck and droops down past the chin, and tucks right up to the centre of the head. The tail will hang down past halfway to the ground. 05. Skeletal structure: Torso The spine protrudes out, which gives it the pronounced bumps The spine runs flat along the back to support all their weight and bears the massive ribcage that takes up majority of the torso. The scapula wraps around the rib cage and comes up as high as the spine. 06. Skeletal structure: Front legs Padded cushions in an elephant's feet help take pressure off their joints The shoulders attach at the bottom of the scapula and anchors to the elbow joints. From there the bone drops straight down to the big wrist. Look at an elephant's foot, they only walk on the tip of their toes. The round disc like feet are in fact stuffed with very thick padding behind the toes. The wide surface area helps to balance and support their weight. 07. Skeletal structure: Hind legs The knee placement should be a little lower than the elbow joint The hip bone attaches to the back of the spine and sits very close to the ribcage. The legs connect from the bottom of the hip and come down to the knee joint, right where the torso attaches to the legs. The back feet are a very similar shape to the front feet, only the back will have a heel sticking out. 08. Skull structure The jaw is not visible from the front view since the base of the tusk is wide enough to cover them African Elephant's signature tusks are equivalent to our front incisor teeth and their nasal structure is located right above the eyes. The cheek bones protrudes out so much, the dip in the side of the head becomes very visible and gives them the sunken cheek look as the skin wraps around the jaw. 09. Build the form of the trunk The tusk and trunk are joined together to act as the top lip Start with a flat head with a strong break for the forehead. Right over the nasal cavity, draw a subtle bump as it reaches the eye. The nose should then bump out again with a stronger arch. The nose will be a tube-like shape that tapers in as it get close to the tip. The trunk wraps around the tusk where the skin folds overlap. 10. Shape the mouth and ear Drawing lines to wrap around the form will help understand the structure of the head The corner of the mouth forms right where the tusk ends, and the bottom lips tucks under. The cheek bones have a strong plane change which makes the side of their jaw and head look sunken in. The base of the ear should feel like there's volume to it, whereas the rest should look like a thin sheet. 11. Expand the body's form To contrast the belly, the spine protrudes out forming a sharp arch Expand the middle torso as a big bulbous belly. Make the legs look like big columns, but show the bulgy joints. For the elephant to have mobility in its legs, there needs to be enough loose skin between the torso and the legs. Draw the tail, and the legs covered in the back. 12. Locate the wrinkles Concentrate the wrinkle formation at the joints; elbow, wrist, ankle, knee, tail, and even around the face Just like your finger joints or elbows, you will see the elephant's skin is similarly wrinkled and bunched up at the joints. The trunk is like an accordion where it has the freedom to move, bend and curl. It has rings of deep crevasses that fold into each other, and kind of resembles a slinky. 13. Detail the wrinkles and form Areas that need a plane change can be implied by etching in multiple lines that follow the form When you draw the wrinkles, remember to add a variety of length and thicknesses. Try to vary up the distance from each other, depending on how tight the wrinkles fold into each other. 14. Incorporate the other features Cross-hatched wrinkles will also give an elephant's skin more texture Draw the hair coming out from the end of the tail from two sides, and make sure to draw the ears as big thin sheets with veins running along them. The fingernails shaped like a crescent will sit flat against the feet. 15. Fill the light and shadows The values will help define the volume and form of each body part If you want to push the drawing a bit further, emphasise the elephant's shapes by filling in the light and shadow. Areas that sticks out like the spine and cheek bone will catch more light, while other areas such as the jaw and belly will hide in the shadow. Read more: How to draw a lion How to draw a bird How to draw a wolf View the full article