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Visitors to the third-annual Us By Night festival will be in for a real treat. Taking place within Antwerp’s prestigious Parkloods on 22-24 November, Us By Night will see creative professionals the world over come together for a fun-filled three nights of design inspiration. One of the speakers is freelance 3D character artist Jaime Alvarez, who will share how his cute and classy 3D art communicates tenderness, playfulness and happiness. Alvarez brings his lovable creations to life using a combination of resin, wood and fibreglass – and this effect is best seen in his character-driven world Mr. Kat & Friends. We chatted to Alvarez ahead of the event, to see just what we should expect from his talk, and discover why he thinks creative events are brimming with positivity. Mr. Kat & Friends is a collection of fun characters What started your fascination with animals and skulls? I’ve been drawing animals since I was a child, feeling more comfortable drawing elephants, pandas and birds than I did actual humans or objects. When I started working on personal projects, it just felt natural to follow this path and eventually feed it into commercial projects. As for the skull, this interest grew while I was living in Peru, where I got acquainted with the pre-Columbian cultures. These skulls appeal to me as the representation of life through the legacy of our ancestors. The cuteness gives these skulls a certain brightness to an icon that is generally looked upon as sinister and dark. It’s like seeing death in a friendly and warm way. When did you first hear about Us By Night? Well, it’s no secret that Us By Night has been very loud since its inception! The speakers invited, the novelty of doing the talks at night, the atmosphere... It roared its way into the design festival scene pretty fast. Many of my friends have been there in the two past editions and I just had to make it there this time around. What makes Us By Night different to other design festivals? Artists and designers from around the world are set to attend the event between 22-24 November Creativity, friends, beer, nightlife, community – all in one place! It’ll be great to relax during three days and enjoy the talks, meet new people, hang around, and take a break from our routine while still being connected to everything that we feel so passionate about. Us By Night is creating a space where many disciplines coexist. Because the selected speakers have been curated by open minded creatives like Rizon Parein (Us By Night’s curator), we're going to see those pushing borders and mixing medias, such as Erik Kessels, Jonas Lindstroem and Mirko Borsche. What can we expect from your talk? Mr. Kat’s world is populated by various charming characters, like this cosmic panda I will briefly share a little bit about my journey, before going on to discuss how I approach character design, some work processes, and how this year has been a huge step in terms of character development and expanding my work worldwide. Just in case you can’t tell from my work, expect a lot of classy cuteness! I think it's safe to say that most creatives today tend to explore within different fields. Personally, I mix cute character design with classy high gloss 3D shapes and a sculptural feel, and I thought it was worth adding this to an already eclectic slate of covered styles. What other talks are you looking forward to? As the name implies, Us By Night is a nocturnal experience This is a tough question, all the creatives announced are top-notch. I'm really looking forward to experiencing the vibe Rizon and his team look to be orchestrating. I feel Us By Night is more like listening to a whole album rather than a single song. This said, I will give it a go! There is one speaker from last year I would have loved to watch because I followed him during my teenage years: Mode 2. He's a living legend and I think I may have recognised his work in a recent Us By Night 'start guessing' clip for this year. Fingers crossed he’ll make an appearance this year again. Has going to a talk ever positively impacted your career? Speaking at festivals has definitely impacted my career as well as my personal growth. In a broad sense, it’s great to meet the people behind the work and build new bonds. Professionally, I’ve been able to create wonderful collaborations with new friends and catch the attention of potential clients. I believe festivals are a friendly way to promote your work while having fun, share, and be inspired by others. What’s more positive than that? Us By Night takes place in Antwerp on 22-24 November. The speaker lineup is comprised of artists, designers, and creatives from around the world. Don't miss out: buy your tickets here. Read more: Nail the art of networking: how to get more from events Why Us By Night is turning design events into festivals 5 key trends in character design View the full article

It wasn’t that long ago that the best mouse for Mac would be the one that it came with. After all, it’s just a mouse, right? Well, not quite. For designers, who can spend hours at a time using a mouse, characteristics such as ergonomics and performance are vital. And with most mice now featuring wireless support, issues such as latency and battery-life also come into play. The best cheap Apple laptop deals of 2018 Apple hasn’t helped, either. Because despite the Magic Mouse looking beautiful – or as beautiful as a mouse can – it continues to push some idiosyncratic design choices on to the masses, so there’s a decent chance that Mac owners will be looking for an alternative. (Seriously, Apple. Who thought putting the Lightning port *under* the mouse was a good idea?! Enquiring minds want to know.) Which is the best mouse for Mac right now? If you’re looking for the best mouse for Mac, and budget and gaming aren’t really an issue, then there’s only one place you need to look right now, and that’s the Logitech MX Master 2S; it’s a joy to use, and has so many configurable options that you’ll wonder how you ever worked without it. However, if you’re looking for a mouse that supports Apple’s gesture features, and fits in with the overall design aesthetic of your MacBook or desktop, then the Magic Mouse 2 – despite its flaws – is still the best option. How to choose the best mouse for Mac? Choosing the best mouse for Mac really does depend on how you plan to use it. If you spend most of your time using a stylus and tablet, and only turn to your mouse for occasional browsing and non-core tasks, then choosing something that mirrors the design of your Mac might be the deciding factor. However, if you spend any prolonged time with a mouse in your hand, you’ll want it to feel perfect, and have a little more than just two buttons and a scroll-wheel. Then there are factors such as grip style (fingertip, palm or claw), surface texture, button layout, and whether you use your left or right hand to control your mouse –all things that need consideration. So whether your priority is price, looks, ergonomics or performance, here's five products that ensure you'll get your hand on the best mouse for Mac, whatever your needs. The best mouse for Mac overall Starting with grip, the Logitech MX Master 2S supports all three styles, but you’ll likely default to a palm grip, as the product is designed to offer your right hand the snuggest fit of any mouse out there. And it does. Using this mouse is a joy, and it has been engineered for prolonged use, which will suit almost any design task. However, one thing we wouldn’t recommend it for is gaming. At 145g it weighs a little too much, and – despite the ease of DPi switching – once you stop using it with a palm grip (as is the case for most gamers), it starts to get a little fiddly. Gaming aside, though, the performance of the Logitech MX Master 2S is unsurpassed. You get 70 hours of battery on a single charge, it works perfectly on almost any surface, and it comes with *deep breath* left and right buttons, a middle scroll wheel, an additional wheel next to the thumb grip for horizontal scrolling, and five more buttons for, well, whatever you want (as they can all be configured using Logitech’s Control app). Best budget mouse for Mac Taking a single AA battery, VicTsing claims that the VicTsing MM057 mouse can last a staggering 15 months on a single charge. And, whilst we weren’t able to test this, we have been using one for a good six months, and have never switched out the battery. Using a dedicated button on the top of the mouse, you can easily switch Dpi between 800, 1200, 1600, 2000, and 2400. And as well as left and right buttons, you also get the obligatory scroll wheel, and two side buttons for forward/back browsing. Connecting the mouse is a cinch, too, as it’s plug-and-play, so simply pop the nano adapter into an available USB port and you’re up and running in seconds. After eight minutes of inactivity, the mouse will put itself to sleep, and you simply click any button to wake it. Due to its diminutive size (5.08 x 10.16 x 7.62cm) only children or adults with small hands can use it with a palm grip. And for everyone else, you’ll need to use a claw or fingertip grip; but this is fine, as a rubberised coating provides extra grip and comfort. For most designers, then, this isn’t going to be a primary mouse, but it’s the perfect choice if you’re looking for a budget option that you can chuck in your kit bag when you’re on the go. Best integrated mouse for Mac It’s hard to know where to start with Apple’s Magic Mouse 2. Over the last few decades, designers have scratched their heads as Mac mice either underperformed, or introduced bizarre design features. We’ve seen perfectly symmetrical mice that meant you couldn’t tell which way up they were supposed to go, and in its most recent iteration you’ll find the Lightning port underneath the device, meaning that it’s unusable whilst being recharged. However, amongst the bad and the ugly, there’s also a huge amount of good. The Magic Mouse 2 eschews buttons for a touch-sensitive surface, which supports a decent range of gesture controls; so in addition to left and right buttons you can scroll sideways or horizontally, and also two-finger tap, extending Apple’s multi-touch functionality to its mouse. (And this functionality can be extended via the third-party app BetterTouchTool.) Beyond this functionality, the Magic Mouse 2 also looks incredible, and now comes with a rechargeable battery (though the low profile of the Magic Mouse doesn’t lend itself to a palm grip). And although we’ve flagged up the odd placement of the Lightning port, it does only takes a few minutes of ‘quick charge’ to get 9 hours of use – just hope that you’re not doing anything important when the battery does eventually run out. Best trackball mouse for Mac There are three words that strike crippling fear into any designer: ‘carpal tunnel syndrome’. We all know that poor posture and prolonged mouse/computer use can lead to terrible and debilitating pain, sometimes resulting in the need for surgery, and if there’s any way it can be avoided then it’s worth considering. For decades now, a small band of proselytisers have preached that using a trackball mouse has staved off the dreaded CTS, and that includes a good number of designers. So, are they onto something? Firstly, we should point out that making the shift from a traditional mouse to a trackball takes time and patience. But after spending some time with one, you will start to feel the benefit. There’s no denying that ergonomically, a trackball is superior to a standard mouse design. Logitech is a brand with plenty of experience in the trackball market, and with the Logitech MX Ergo Wireless mouse it continues to excel. This wireless upgrade boasts left and right buttons, a scroll wheel, a quick sensitivity switcher, and – of course – the trackball. The trackball itself is easy to spin, doesn’t slip, and can be completely removed from the mouse for cleaning (they can tend to get a little grubby). If you’re an existing trackball user looking for an upgrade, or want to make the switch, then this is the mouse for you. Best gaming mouse for Mac With so many gaming mice on the market, and Windows being the prevailing platform for PC gamers, we’ve chosen a mouse that will cater to a specific genre of gaming here, which is equally as popular across all platforms: the MMO (massively multi-player online game). In this category of gaming, the Razer Naga has become the mouse of choice, thanks to its staggering 12-button layout. And with the upgraded Razer Naga Trinity, you now get a selection of three removable game plates, which support its traditional 12-button layout, as well as a circular hex layout, and a simple two-button layout geared towards first-person shooters (the plates are magnetic, making them incredibly easy to switch out). Put simply, you get three gaming mice in one. Gamers can be a fussy bunch, and one downside of the Naga Trinity is that you can’t switch weights in and out to get the right balance, but beyond that we struggled to find any weaknesses. Read more: The best laptop for graphic designers 20 tools that make freelancing easier The best iPad stylus in 2018 View the full article

Seb Lester has designed logos and typographic illustrations for some of the world’s biggest companies – from Nike and Intel to NASA. However, despite the fact that millions of people had seen his work, he remained relatively unknown as a designer. That was until he began sharing sped-up videos of his hand-lettering work on his Instagram feed, and suddenly everyone knew his name. Follower numbers shot up (he’s now racked up some 1.1 million), and he became the first visual artist to be offered a one-year contract by Apple. Top typography tutorials Last week, Lester wowed the audience with his work at Reasons.to, an award-winning festival of design and code held annually in Brighton, UK. We caught up with him after his talk to hear his tips for mastering social media. 01. Instagram isn’t just for digital art Although Lester now often posts digital design work, it was his traditional calligraphy that sent his profile soaring. “It’s amazing how well calligraphy translates to the internet,” he says. “You’ve got this ancient artform but it really does translate very well.” Lester muses over whether the widespread popularity of his videos is due to the fact that they fit into the 'strangely satisfying' category of online content, of which people just can’t seem to get enough. “There’s something satisfying about seeing something from beginning to end,” he explains. “A blank piece of paper and then something appearing.” 02. Don’t just talk to other designers The great thing about apps like Instagram – as opposed to design-specific platforms such as Behance – is that you can reach a whole audience of people who don’t have anything to do with the creative industries. “I love the fact that a lot of my followers are people who are hairdressers or bakers or just don’t work in the visual arts or study the visual arts. I consider that a really lovely thing,” says Lester. “People who never really thought about calligraphy and then suddenly they’re seeing something they find compelling.” 03. Find something relatable Lester’s latest thing is his Logo Doodles: short, time-lapse videos in which he recreates well-known logos on an iPad Pro. He points out that the thing with logos is that they’re immediately relatable, which makes them a great way to catch people’s attention. He recognises that this widespread appeal is what makes his logo work more universal than his other love: heraldry. “I can get incredibly nerdy talking about 7th century Pictish knotwork. People might think its weird or beautiful looking but it's not really part of their world. Whereas a logo for, say, Netflix is completely, immediately,” he smiles. 04. Keep it fun There’s nothing too complex about these films: Lester captures them using a tripod and DSLR, but acknowledges that he could now probably use his phone camera instead. He thinks the low-fi look is all part of the charm. “It’s like a little magic trick. That's really what those little short-form things are; little stunts,” he says. “They're just fun. It's not high art or anything. Just fun, pop arty stuff.” He continues: "You can do amazing illustration with literally a biro and a piece of notepaper and create something incredibly viral from that, and I have done in the past. It's good to be open." 05. Take advantage of new tools Although Lester can indeed create masterpieces with traditional pens, he's also happy to embrace the latest digital tools. “I'm not going to be a luddite and ignore technology. The best artists and calligraphers in history have always sought out the best tools,” he points out. “I'm absolutely positive Dürer would have been blown away by digital technology. He'd be entranced. Da Vinci. I'm sure they'd love it.” The most powerful thing about the new digital tools, he says, is their ability to automate parts of the drawing process, including mirroring, and rotational and reflective symmetry. These features can take the pain out of drawing incredibly complex forms, such as Lester’s heraldry work. 06. Don’t underestimate social media... When he first joined Instagram, Lester didn’t realise quite the potential it would have to open doors in his career. Now he acknowledges the importance of such platforms for artists and designers. “You need a social presence those days, whether you want it or not,” he comments. “I don't think people look at people's websites as much as they look at their social media these days.” With that comes a little more responsibility. “You've got to be really careful what you say. It's publishing in a sense,” he adds. 07. … but don’t overthink it While being aware that you’re not just talking to your immediate friends is important, getting caught up in how far your posts could reach is a risky business. Lester prefers to approach social media as a kind of computer game. “If I start thinking there are actual people behind these avatars, who are watching what I'm doing, I’d find it very debilitating," he explains. "It's actually quite surprising when people come up to me and say they follow me on Instagram and it's actually a real, physical person." To avoid total paralysis, he takes his cues from friend and YouTube sensation Casey Neistat, whose show he appeared on in 2015 (above). “Casey says you just have to get on with it, just do it. He's right when it comes to this sort of thing. Think a little bit but not too much.” Read more: 10 best VSCO filters to stand out on Instagram How to make money on Instagram as a creative 6 Instagram hacks to transform your feed View the full article

Want to become the next Steven Spielberg? Looking to create the next top viral video? You'll want The Complete Filmmaker Guide under your belt. This course will teach you how to shoot and edit some truly professional-looking footage. You'll learn the tricks of the trade, from planning the shoot, to executing it properly, to editing a gorgeous video. With 109 lectures and five hours of content available at your fingertips 24/7, you can learn at your own pace under the tutelage of Julian Melanson, an experienced filmmaker with well-established clients. He'll teach you the principles and techniques that launched him into a successful filmmaking career. Get The Complete Filmmaker Guide today for just $14.99. Related articles: 8 things you didn't know about design for film 10 movies that pushed VFX to a new level 8 tips for getting through a film shoot View the full article

When it comes to logo design, let's not beat around the bush: the vast majority of professionals will be using Illustrator CC. Its powerful, precise tools are well-equipped for the task, plus if you have a Creative Cloud subscription, it's something of a no-brainer. There are plenty of other pro logo design tools on the market, however – Affinity Designer, for instance, packs a powerful punch with an intuitive interface and a cheaper, one-off fee compared to Illustrator's monthly subscription. If your budget still won't stretch, free graphic design software such as Gravit Designer or Inkscape provide many of Illustrator's key features. In short, you're spoilt for choice when it comes to full-service logo design software packages. But you might not need so much functionality at your fingertips. Perhaps you're a relative beginner, and want to ease your way in gently. You might not be a designer by trade, but need a simple logo design tool to brand your fledgling business before you can afford the services of a professional. So if you're on the hunt for a way to take the hassle out of the logo design process, but still yield a decent result, read on to discover five tools that make logo design more accessible to all... 01. Canva Available as an iPad app, Canva is a versatile graphic design tool that comes with plenty of useful logo templates An intuitive drag-and-drop interface, simple but effective design functionality, and an extensive range of high-quality templates make browser-based tool Canva a leading choice for non-designers and time-poor professionals alike. While Canva is not exclusively geared up for logo design – in fact, it's a particularly useful tool for creating social graphics – there are over a hundred logo design templates to get you started. If your budget is tight, you can make use of Canva's free elements, or upgrade to its higher-quality options. If you prefer, you can import your own straight into the tool, or use premium assets from your favourite stock library. 02. Squarespace logo maker Squarespace's logo design tool is clean, simple and graphic, combining basic icons and text If you're designing and hosting your portfolio through Squarespace, it could be worth checking out its accompanying logo creation tool if you need a personal brand to adorn it. This tool's extremely basic functionality could be ideal if your time, logo design skills, or both are limited – or you just want to take advantage of the latest design trends and create something very minimal and graphic. Using a simple drag-and-drop editor, Squarespace's logo maker enables you to arrange text and icons in various configurations, and customise their colour, shape and style. Low-res, watermarked versions are free to download, or high-res versions cost $10 – although they're free if you're already a Squarespace user. 03. Logojoy Feed it your aesthetic preferences, and LogoJoy will auto-generate logo designs for your consideration Whether you choose to be terrified that Artificial Intelligence will ultimately swallow up all our jobs, or prefer to embrace it as an invaluable supplementary tool for designers, is entirely up to you. The people behind LogoJoy clearly advocate the latter, as the logo design tool uses AI to aid your creative process. By providing information about your business, as well as the types of logos, colours and other design features you admire, LogoJoy will auto-generate design ideas for your consideration. While it's very unlikely that professional designers will ever dabble in, or endorse, such dark arts, there seems to be a market there for non-designers with minimal budgets. It costs just $130 for high-res, downloadable files that have never been touched by human hands, or for a bit extra, LogoJoy's in-house designer will spend an hour giving it a polish. There's another suggested use, though: for $20 you get a low-resolution logo file, which could be used as a reference point for a moodboard, for instance. 04. Hatchful Mobile-based tool Hatchful enables you to design quick, simple logos on the move From the makers of Shopify, Hatchful is another logo design tool that dabbles in some basic AI – it uses machine learning to suggest appropriate brand assets for your business, drawing on hundreds of icons and colour combinations as a starting point. There are various free templates on offer, or you can upgrade to premium templates for up to $8.99 each. Optimised for mobile devices, this completely free tool is a great way to sketch ideas and play with different graphic combinations while you're on the move – and it could also be ideal for quick, last-minute, relatively low-profile logo design projects, such as temporary graphics for social activity. 05. TailorBrands Subscription-based tool TailorBrands designs a logo based on your questionnaire responses Another AI-based tool, TailorBrands promises to design you a unique, customised logo based on a series of questionnaire responses. Unlike LogoJoy's pay-per-project approach, however, it is available on a subscription basis – ranging from $2.99 to $10.99 per month (on an annual basis). Besides the hi-res logo assets themselves, the top-end premium package includes everything from social analytics to supplementary tools to create business cards, presentations, social ads and more. It's an interesting model that controversially takes much of the creative process out of the hands of professional designers, offering a range of services to cater to those with no design skills. Businesses considering a tool such as TailorBrands are unlikely to be making a direct comparison with hiring an agency, but as AI becomes increasingly sophisticated, it may well keep the industry on its toes. Related articles: The best logos of all time Essential guide to tools for designers 9 tools to make graphic design easier in 2018 View the full article

Microsoft's September Patch Tuesday release tackles three vulnerabilities actively being exploited in the wild. View the full article

Exposed data included names, emails addresses and IP addresses. View the full article

SEO: it's a dirty job but someone has to do it, and if you want anyone to see your design portfolio other than by word of mouth then you're going to have to bake a bit of SEO into your workflow. Sign up to the Computer Arts newsletter Getting to grips with SEO from a standing start can feel utterly daunting, especially as the rules seem to change on a regular basis. However, if you follow these tips from SEO experts, you'll soon find yourself starting to climb the Google rankings. 01. Learn by doing "All designers need to understand how SEO works and second-guess how Google and other search engines, are moving the goalposts," says James Huckle, head of technology at digital agency Mirum UK. "In the short term, the best way to do this is to get your own website that you can control, add some content, social links and analytics, then do some tests and see what happens." 02. Keep experimenting "Don't be afraid to get out of the sandbox!" says Evan Fraser of GraphicSprings.com. "Try on-site optimisation techniques on your live site, to see how search engines respond. There are tons of resources online, but you won't know what works for you until you try." 03. Use free resources "Rand Fishkin and his Whiteboard Fridays are an absolute must for anybody learning SEO," says Fraser. "SearchEngineJournal and the GSQi Blog are also very informative. And in general, the MOZ community has been my go-to for many years." 04. Build backlinks Backlinks from other sites to yours will boost a site's SEO considerably. "So my tip would be: Find out where relevant online conversations are happening, and join them," recommends John Atkin, head of PR at Affinity. "But make sure you stick to the spirit of the community: don't go wading in with blatant commercial plugging. Nudge conversations, don't ram them. In time, you'll build relationships which will result in links and mentions," he continues. 05. Focus on security "Search engines will continue to prioritise security and mobile compliance and will reward websites that conform to these standards with improved rankings," says Anthony Miroballi, front-end developer at Chicago-based 50,000feet. "Google is already giving large bumps to sites that utilise its AMP platform, and a stripped-down mobile version of your site with enhanced mobile UX will pay dividends." This article was originally published in issue 280 of Computer Arts, the world's best-selling design magazine. Buy issue 280 here or subscribe to Computer Arts here. Related articles: 27 top-class website templates 10 must-know SEO tools for search success 5 top tools to master SEO View the full article

Adobe issued fixes for versions of its ColdFusion web development platform - including six critical flaws. View the full article

If you've mastered how to draw a dog, you'd be forgiven for thinking you'd easily be able to draw a wolf too. While depicting man's best friend will stand you in good stead when approaching how to draw a wolf, there are more differences between these canine breeds than you might think, all of which will make a huge difference to the accuracy of your drawing. The best pencils for sketching This how to draw a wolf tutorial is a step-by-step guide to drawing a side view of a standing wolf. The lesson begins with sketching out the overall shape of the wolf as an under drawing to help figure out where all the parts of the body will go. Next comes carving out the mass and structure of the wolf in perspective to solidify the drawing before the real fun - fur, facial features etc - begins. Once have nailed the basic drawing of the wolf, stay tuned to discover how to draw its winter coat. Note: having a photo reference of a real wolf right by your side during this tutorial is highly recommended. How to draw a wolf: a step-by-step guide 01. Sketch the basic shape of the head The head starts with a simple oval, with a muzzle and ear attached Start off by drawing the head as an oval tilted to the left about 45 degrees. Connect the muzzle pointing down in the same direction, almost as long as the oval. The bottom of the muzzle goes flat across, half way to the oval just below it. Block in the shape of the ear by drawing a line as the base of the ear on the head, forming a triangle above that's slanted forward and curved in the back. 02. Find the length of the neck and body Measure using existing shapes to help you find the length and width Locate the base of the neck by measuring the length of the oval head two times sideways. Relative to the body, wolves' head stand lower than a dog's head, so make sure to draw the neck angled lower. The length of the back is three times the length of the oval and neck. From the neck, connect a straight line across to indicate the back. 03. Complete the shape of the neck and body Shaped like big tubes, the neck and body is attached The neck will be thick and full of fur, so draw the shape of the neck getting thicker as it goes down to the base of the body. From where the neck is left off, complete the body with a straight line for the stomach, all the way to the back and closing it off. 04. Divide the body into three parts Sectioning off the body helps indicate where the limbs go The body is sectioned off into three parts; the shoulders, stomach and hind legs. The line that divides the shoulder section comes straight down, sectioning off a narrow shape. The line for the hind legs is like a forward slash, separating the section from the long stomach. 05. Sketch the basic shape of the legs and tail Adding the limbs completes basic shapes of the wolf The height of the wolf is about two times the height of the body, plus an extra one sixth. Draw the front leg with a curved front and straight back. For the hind legs, draw a long S shape in the front, and tapered at the back stopping half way down. From there drop a straight line down to indicate the heel. The triangular shaped toes should look long and big. Draw the rest of the legs that are hiding behind the other front legs, slightly staggered to look more interesting and three dimensional. The tail shape is thick and long, dropping down to the heel. 06. Carve out the mass structure of the head Draw over the first sketch to block out the head and features Draw the top of the head and muzzle flat, and block in the shape of the nose and chin following the base drawing. The chin has a subtle curve as it reaches the neck and mane. The ear is almost like a cone shape with a line in the middle to indicate the front plane. Indicate the cheeks connecting from the ear, down the head and across to the chin. Add the eye as a thin slanted diamond shape, right above the muzzle closer to the front of the oval. 07. Structure the front section of the body Describe the forms of the front leg into more sections Follow the under drawing to structure the neck, and add a small hump on top of the shoulder section. Draw a line that comes down to the elbow with a curl at the bottom. Mirroring the curl, draw the shoulder and section it off from where the legs starts. The leg tapers down to the wrist, connecting to the tube shaped hand jutting forward. Then attach the paw formed like the shape of a puck. Draw out the chest located behind the arm, right under the shoulders. Repeat the same thing for the leg behind. 08. Form the middle section of the body Connect the body to the hind legs Where the middle and hind leg section of the body meets is where the hip is located. Draw a line that runs along the shoulder to the back, dipping down to the tail as it passes the hip. From the chest, draw the stomach with tucking up as it reaches the hind legs. 09. Shape the back section of the body Finish the second drawing by adding the back limbs From the hip, draw a line down to the knee located where the stomach meets. The upper section of the hind legs is curve to the back of the knee, and tapers down to the heels. The heel should be located higher than the wrists. The back paws are just like the front, only smaller in size. Draw in the tail. 10. Draw the details of the head Getting the sharp features in the face can really make the drawing more realistic The top of the muzzle has a small bump right before it reaches the nose. The nose is big but make sure it's not too pointy. As the mouth runs across the muzzle, it tucks up a bit and straight across back to the eyes. Wolves' lips don't hang over that much, so draw the chin thin. The eyeball is shaped like one quarter of a pie, filled with a black diamond right behind. Add some lines to the face to add structure and make it more wolf-like. 11. Draw the ear and mane Add the details of the ear and a lot of fur around the neck Draw the ears big and rounded at the top. The ear is very furry in the inside, and short in the back. Make the mane and neck look full by adding plenty of fur along the under drawing, adding some variety to the fur going in different directions. Be careful not to go too overboard on the fur, or it will get too confusing and break the structure. The best areas to place the fur is along the edges where the plane of the neck is turning away. 12. Draw the fur and details around the shoulder section The long leg and big paws are important in a wolf drawing At the top of the shoulder section, the fur covers the bump at the top, shoulder and elbow. The front side of the leg has a subtle curve coming down, while the back has a bunch of smaller fur in the back. At the wrist joint, there is a small pad in the back that sticking out. The fingers of the paws are shaped almost like big long triangles. The front paw has a fifth toe on the inside and two long toes in middle. 13. Draw the fur and detail around the mid section Adding subtle curves and structure lines makes the wolf look more structured The back dips down to the hip and comes right back up, and back down again to the tail. The fur in the stomach area goes in the opposite direction as it gets to the middle area. Draw some thin lines to define the visible muscle in the back. 14. Draw the fur and detail around the back section The top of the leg is much furrier than the bottom There is more fur in the top section of the leg than the bottom, so draw the furry detail on the top and smooth lines in the bottom. Just like the front paw, draw the hind similar but smaller and with only four toes. And finish off the body by drawing the furry tail! The final drawing of the wolf 15. Bonus: add a winter coat The areas where the fur grows much thicker in the winter time When drawing the winter coat, you can go over top of the final drawing of the wolf with more fur around the majority of the body. When you add the thick fur coat, draw a variety of lines and shapes to make the wolf look fuller. Draw the fur in different sizes of chunks, lengths, and a variety of lines and shapes. The wolf with its full winter coat Read more: How to draw a cat How to draw a rose How to draw a horse View the full article

Steve Jobs only had one word to describe styluses in relation to his pioneering products: "Yuck". His idea was that no one would ever need them so long as they had fingers to use, and it was a mantra that persevered at the company he founded for a little while after he died. The best cheap iPad deals in 2018 When Apple finally did release an accompanying Pencil to use with its iPad, the world referred back to Jobs' now infamous put-down of the pen. But perhaps not even Jobs could have foreseen how touch screens would evolve into the new decade. The new iPad 9.7 for 2018 promises to deliver the power of Apple's most ambitious products, with the price of some of its most popular. It's good news for digital artists. For a start, the Apple Pencil is fully compatible, so you needn't fork out for the top iPad model. New features The new chip makes it quicker and split-screening makes it easier for multi-tasking, but the first impressions of the new iPad aren't exactly breathtaking: same resolution, same old design, same rigid iOS that you can't completely customise to your tastes. The Pencil certainly makes it a bit more interesting, but then you have to pay separately for that ($99/£89). Despite these irks, which admittedly come from most customers on new Apple releases, this is the most solid effort from the company yet when it comes to its tablet. It's got a decent 10-hour battery life and the camera, although barely improved from previous models, still boasts eight megapixels. That's more than enough for an artist or designer to take reference photographs with. iPad 9.7 and Apple Pencil: a powerful combination Apple Pencil: no longer reserved for iPad Pro users The power is phenomenal in comparison to previous models, especially when combined with the best drawing apps for iPad. It handles sketching, for example, with absolutely no trouble whatsoever, and switching between apps is faultless. The Apple Pencil is simply light years ahead of most styluses in the market too, with details easy to create with the tip, and shading possible by drawing at an angle. The pressure sensitivity is superb, too; this is good enough to rival many graphics tablets. This is the elite combination for digital drawing on the go, and at a fairly reasonable price, it's a serious option for the beginner or a professional. This is still the best tablet on the market. With the rate that touch screens are evolving, it's becoming ever more essential for digital artists to own an iPad to use on the go, and all things considered, this latest iPad is the best fit for the job. It's quicker and stronger and will last far longer than any iPad before; the Pencil too is superb in quality and well worth the money. If Steve Jobs were here today, even he would be impressed. This article was originally published in issue 162 of ImagineFX, the world's best-selling magazine for digital artists. Buy issue 162 here or subscribe to ImagineFX here. View the full article

You're reading Google Chrome Turns 10 – New Design and New Features, originally posted on Designmodo. If you've enjoyed this post, be sure to follow on Twitter, Facebook, Google+! The most popular browser, Google Chrome is turning 10! As a gift to its users, Google announced new improvements. The browser that we were used to will develop a new look and function differently. Visual changes include brighter colors, a … View the full article

Having your own website is pretty much a necessity if you're an entrepreneur or freelancer. But it can be a complicated and frustrating process building your own, especially if you don't have a lot of coding knowledge. Enter The Premium Bootstrap Theme Bundle. The offerings in this bundle make it really easy to create the ideal website for your brand or business. The bundle includes 26 Bootstrap templates and UI kits, 311 customised plugins that are ready to use, and 524 example pages that will take the guesswork out of website design. The included licence can be used on unlimited projects where users aren't charged, which means you can use these goodies over and over. Get The Premium Bootstrap Theme Bundle for just $49.99 today! Read more: How to build on old IT systems 7 tips for driving traffic to your portfolio website 23 great examples of WordPress websites View the full article

Content-Aware Fill. Not the most exciting sounding tool, is it? But you should never judge a tool by its name, especially one powered by AI technology. Photoshop users went crackers for the Content-Aware Fill tool – which allows you to intelligently clone parts of an image to replace a selection – when it was first released. So much so, the internet groaned under the weight of new Photoshop tutorials on how to use it effectively. However, it soon became clear that the AI-powered tool wasn't always as intelligent as it should or could be, as it failed in ways unique to AI. Photoshop's Content-Aware Fill tool often failed in ways unique to AI But that all looks set to change, with Adobe just releasing a new video (below) teasing us with details of a supercharged Content-Aware Fill with a bunch of new settings. How to remove a background in Photoshop The most notable difference is the ability to choose which parts of the image the filling agent samples when it’s looking for pixels to put inside your selected area, with the use of the Sampling Brush Tool. The improved algorithm also allows users to direct Photoshop better, for example to tell it how generous to be with the rotation and scaling of the elements it uses, or that the mirror-image option might be a better fit. The new juiced-up version of Content-Aware Fill also means artists can now work with this tool in a non-destructive way, as it presents the option to output the fill to a new layer. The update, which will come as part of a wider update to Photoshop CC, will go a long way to making the art of photo editing a damn sight easier (especially for those with one too many cows in their shot). It looks set to be released later this year, so keep an eye out for updates right here on Creative Bloq. Read more: The 60 best free Photoshop brushes The 5 best laptops for photo editing in 2018 How to select with Photoshop's Lasso tools View the full article

You're reading Globes and Spheres – 3D Circles in Web Design, originally posted on Designmodo. If you've enjoyed this post, be sure to follow on Twitter, Facebook, Google+! Last year we saw a passion for using plain geometric shapes in interfaces: rectangles, triangles, lines and circles. They were everywhere: in hero areas, footers, main sections. More recently, circles have captured our attention; though not in its habitual flat … View the full article

The flaws disclosed this month are related to a critical bug previously discovered by VerSprite in April 2018. View the full article

Starting a business is no easy feat, which is why it's a good idea to break the process down into manageable steps. With Bizplan Premium: Lifetime Subscription, you can break big projects down into small steps, helping you accomplish your goals in a more organised, efficient manner. The program offers drag-and-drop templates that are a breeze to use, and you can even work with others on the same platform for more effective collaboration. You'd be surprised how much progress tracking can keep you on the right path toward accomplishing your mission. Get Bizplan Premium: Lifetime Subscription for only $49 today! Related articles: How to manage a huge client 6 techniques to help better manage your time 9 tips for improving your time management View the full article

Step into any creative studio, and there's a high chance that you'll see a sea of small, brightly coloured plastic faces beaming back at you. In a world where digital is the focus for so many, the physical appeal of designer toys have led to them adorning desks far and wide. Designer toys, or 'art toys', have been growing steadily in popularity since their emergence in the 1990s. Pieces range from mainstream, mass-appeal productions through to more bespoke, items often limited in number. Designer Tim Easley has a love of desk toys Artists frequently release original designs, but DIY figures are also available, giving consumers the ability to customise their own one-off pieces. The practice of artists collaborating is commonplace, with many producing joint output, or individuals starting with another artist's existing pieces and taking them to a whole new level. Quiz: guess the logo. Can you identify these brands? Whilst 'urban vinyl' is a term often used synonymously with designer toys, their production may involve materials including vinyl, resin, plush, or even wood or metal. Maybe one of them will be joining your desk soon! 01. Vortecon Price: from $24.99 Now this is the very model of a modern desk toy; utterly mesmerising and completely useless, the Vortecon is a piece of precision-engineered kinetic art that you spin to create the illusion of a continuously flowing helix. Just set it off and watch it go; for extra fun, add a couple more in different colours and you'll be entertained for hours. 02. GoCube Take your cubing to the next level Price: from $69 Why make do with a plain old Rubik's Cube on your desk when you could have a GoCube? Beefed up by movement tracking, Bluetooth connectivity and an app that'll help you learn to solve the cube and even set up live duels against other players, it's a hi-tech take on a classic puzzle. 03. Gunter S. Thompson "We can't stop here, this is penguin country!" Price: £14.95 Brilliantly combining two of the biggest cultural giants in living memory – Hunter S. Thompson and Gunter the penguin from Adventure Time – these adorable 9cm resin art toys by Dave Walker are available in both gold and silver flavours, and are guaranteed bring more than a touch of class to any desk. Get your skates on though; each version comes in a ludicrously limited edition of just 25 worldwide. 04. Hobby Hobby is an ongoing project for the Swedish toy company Price: $40.03 Swedish toy company Acne Jr make the kind of desk toys that will stand out. Founded by graphic designer Sofia Ekvall and illustrator Mats Johansson, Hobby is their latest ongoing project for handmade toys, with this first one made out of bamboo with burned details. Every doll is made to order so expect a unique flair with each one. When ordering, you can note any specific wishes for a truly original desk toy. 05. Whispering Spirit Whispering Spirit believes that our childhood and precious memory live in the forgotten soul Price: from $93.39 "In 2013, I lined up Crazylabel and KUSSO to start producing Whispering Spirit and I also designed 3 colorways and created 2 new characters: Forgotten Soul and Smiley Slow Soul," explains designer Bubi Au Yeung. "It has been an unforgettable experience to make WS in vinyl, the final products took lot of time and effort. I am glad that two years of effort paid off – I really like how WS turn out." 06. Shirley Creamhorn & Shithawk Design Toys: Shirley Creamhorn & Shithawk by Gavin Strange Price: £25 Designed by Gavin Strange, Shirley Creamhorn & Shithawk were created in collaboration with Columbian sculptor Alex Avelino. Strange explains: "When I was a junior designer in Leicester, I got given a silly name of 'Shirley Creamhorn' by my designer friend Andy Rudkin, who would order me rubbish stationary samples with 'Shirley Creamhorn' engraved on the side. Over the years I picked this up and used it as an alter-ego name for a bit of fun." 10 stress relief gadgets for designers After Strange designed the characters, Avelino then sculpted the toy by hand before it was handed to a toy company in China that produced the mould and 500 plastic injection copies. 07. Kidrobot for Swatch Design Toys: Kidrobot for Swatch Price: From £49 Kidrobot's collaboration with Swatch ensures that those who can't be without their urban vinyl can now carry it with them. Consisting of a watch and a matching Dunny figure, artists including Joe Ledbetter, Frank Kozik, Tara McPherson and MAD have all contributed their unique spin to a fashion classic. 08. POP! - Funko Put a little sadness into your life with this Pop! figure Price: From £5 One of the most accessible and wide-reaching ranges available at present is that of POP! Crossing into territory already mentioned in this article with their Uglydoll range, or tapping into interest areas such as NBA, The Beatles, Star Wars and superheroes, POP! is likely to have something to catch everyone's eye. With a great uniform style that makes displaying them together easy, the range is very addictive. Don't say we didn't warn you. 09. Ninja Girls with Udon Noodles Definitely one for the gamers out there Price: $20 Chamba did the art for this Udon/TMNT mashup, which debuted at SDCC 2015. It's part of Squid Kids Ink's ongoing analogue series, which celebrates everything from floppy disks to old school game design. This particular desk toy has a very limited run, so if you've got your eye on this one, you had better be quick! 10. Kuro - Camilla d'Errico Design Toys: Kuro by Camilla d'Errico Price: From $60 Originating as a character created by Camilla d'Errico in her Tanpopo book series, Kuro evolved first into a plush toy of varying sizes, and later into vinyl figures produced by Inner Sanctum. Kuro is available in DIY white, standard, and blue glow in the dark versions, and stands at six inches tall. Related articles: Review: The Art of Kubo and the Two Strings 13 tips for designing modern characters How to sculpt and pose a cartoon head in ZBrush View the full article

By implementing the "Equifax bug," it's the first known time a Mirai IoT botnet variant has targeted a Apache Struts vulnerability. View the full article

A great way to improve the user experience on your site is to add a slide-out menu; it creates an eye-catching way for users to find what they want – wherever they may be on the page – and means they don't have to scroll back up to the top nav. We particularly love the slide-out menu on the site for Ice Cream Parlour Cosmetics, designed by Hiroka Hasegawa; read on to find out how to replicate this effect on your own website. 01. Document initiation The first step is to define the page document. This consists of a HTML container representing the webpage, which contains the head and body section. While the head section is used to load the external CSS and JavaScript resources, the body section is used to store the visible page content created in step #2. 02. Page content The page content consists of a heading title, along with a navigation container. This navigation stores a series of links and has been assigned a 'data-action' attribute. It is this attribute that will be used by the JavaScript and CSS to apply styling and functionality to the container and its elements. 03. CSS initiation The HTML is now complete, so create a new file called 'styles.css' to initiate the presentation formatting. This step sets the HTML document and its body to have no visible border spacing, along with a black background. Colour is set to white as the default colour for content text to inherit. 04. Navigation setup The navigation is to display with fixed positioning and with a z-index above everything so that it can appear to cover the full screen regardless of where the user has scrolled to. It is initially positioned out of view on the left side of the screen's visible viewport. A transition rule is applied to animate any changes over a duration of one second. 05. Nav open and icon The navigation's left position is set to zero when an 'open' class has been applied, triggering the animated transition defined in the previous step. The navigation's first child is the expand icon, which uses fixed positioning to always remain visible in the centre of the left side of the screen. 06. Navigation links Each anchor link inside of the navigation container is set to be four times the size of the default text. Their colour is set to black, with a margin applied at their top to guarantee vertical spacing is visible. Setting their display as 'block' makes each link automatically appear to be stacked vertically. 07. JavaScript listener Create a new file called 'code.js'. This step waits until the page has loaded, upon which it searches for the first child of all navigations with the 'data-action' attribute set to 'expand'. This first child, being the open icon, has a 'click' event listener applied, upon which toggles the element to have or not have an 'open' class applied. This article was originally published in issue 274 of creative web design magazine Web Designer. Buy issue 274 here or subscribe to Web Designer here. Related articles: Top web navigation trends 10 rules of great user experience Add visual cues to your site View the full article

Having a home office gives you the opportunity to get creative with your workspace, building somewhere that's not only a place to work, but a place to get inspired. Getting the right office stationery is a vital part of creating a setup that works for you, as well as a cool way to add some personality and colour to your creative space. While you're at it, you'll want to make sure you have your key items sorted, such as the best office chair and the best desks for your home office. Whether you’ve got a dedicated space or are looking to add a new function to your guest bedroom, we’ve rounded up all the best office stationery, from functional to funky, in one helpful article. Here you'll find essentials like the best pens and pencils, as well as items you might not have thought of, such as planners and calendars to help you stay organised. Read on for our pick of the best office stationery for creative professionals. How to choose the best office stationery The best and worst thing about buying office stationery is that there are so many different options to choose from. The most important thing is to think about functionality: what is it that you do in your home office? Are you a writer, an artist, a graphic designer? Your office stationery needs will obviously vary depending on the work that you do, but with this list we aim to cover all the basics of office stationery. Next, think about how much space you have, and what your priorities are when it comes to filling that space. After that, it's all about choosing products that make your life easier and more fun. No home office is complete without a notebook for jotting down inspired ideas or scribbling notes as you speak to your team-mates, editor or client. For quality and versatility, try this set of three from Field Notes. Each Field Notes Memo Book notebook has a different type of paper: there's one plain book for doodles and sketches, one lined book for notes, and one book of graph paper for wireframes and user flows. These notebooks are passport-sized, which is ideal for slotting in a bag or pocket to take out and about with you. Each has 48 pages, and a simple card cover. If you're after something larger or with a more robust cover, you can't really do better than a classic Moleskine notebook. There’s no denying the Faber-Castell Ondoro Twist Ballpoint Pen is expensive, but in an age when most of our work is done on a desktop, laptop or tablet, occasional handwritten notes are more important than ever. The hexagonal barrel made from smoked oak certainly makes this pen stand out. It can take a bit of getting used to, but it also makes it comfortable to hold, and encourages you to grip the pen in a way that helps you write smoothly. We recommend this pen for anyone who wants to add a little class and character to their office stationery collection. With reasonably priced refills available, it can last forever, too. The perfect partner for your Faber-Castell Ondoro pen is this set of 12 Faber-Castell pencils. Renowned for their quality, these pencils are breakage-resistant despite being easy to sharpen to a really fine tip. Having a full set of pencils to hand means you can easily experiment with different degrees of sharpness and detail, versus softer, blendable lines. Ranging from 2H to 8B, this pencil set will cover you for almost any kind drawing, sketching or writing you might want to do. Pencil drawing techniques: 7 tips for improve your skills 20 phenomenally realistic pencil drawings If you’re tight on space in your home office, why not utilise some of your office stationery to add some foliage to your room as well? A desk plant can help make a home office feel welcoming, which is important given how much time you spend there every day. This innovative Kikkerland Concrete Desktop Plant and Pen Pot is designed to hold your pens and pencils in one compartment and a small house plant in the other. The concrete material means it’ll work with any home office design scheme. Keep your pens and pencils tidy with these Geometric Wooden Pen Pots from Happy Little Folks. The eco-friendly pots are hand painted with a geometric design, and you can pick your colour combo to suit your decor. There are 16 colours available to choose from and you can mix them up any way you want, so chances are there'll be an option to suit you. This is a smart way to keep your stationery neat and ensure a pen will always be to hand when you need one. For when the best notebook isn’t enough, look to Leda for the best artist sketchbook. With high-quality, smooth 120 gram paper, this Leda Sketchbook will take ink, graphite, pastel and charcoal without bleeding or soaking through. It’s also water-resistant (but not waterproof) so will withstand a small amount of watercolour paint. The book itself is made from PU leather, making it suitable for vegetarians and vegans without compromising on a professional look and feel. Moreover, it bends and lies flat, so you’ll have both hands free for sketching or painting. As a designer, you need to take extra care of your hands. Hours spent gripping a mouse aren't ideal, but it's often an unavoidable part of the job, so keep your hands healthy with a mouse mat that features built-in wrist support. The Kensington Duo Gel mouse mat includes an ergonomic gel support to reduce the strain on your wrist that can lead to RSI and Carpal Tunnel syndrome. The gel prevents the blood vessels in your wrist from constricting, which can happen when your wrists are stretched and in a tense position, as they are when you spend a lot of time typing at a desk. It's compatible with laser and optical mice, is wipe-clean, and features a ventilation channel to stop your wrist getting sweaty. It may not be the most exciting design, but your hands will thank you for it. 16-month calendars are handy for creative professionals who need to plan and book work in well in advance to avoid over- or under-booking through lack of visibility, and know they've got work lined up for the future. This Boxclever Press week-to-view calendar is the stationery-lover's dream, as it's filled with space for to-do lists, notes and appointments. For those with more stability in their diary, it comes with a handy plastic overlay that you can write recurring events on, and move them from week to week rather than having to rewrite them. We love the Boxclever Press calendar, but sometimes you need a calendar and diary you can take on the go with you. For these occasions, we recommend this ultimate luxury organiser from Filofax. It has everything you you might need access to while you're out and about, plus some extra we wouldn't have thought of. There's a calendar and undated diary pages, as well as address and to-do lists. The inside cover houses a zipped pocket, two slots for credit cards or business cards, and three multi-purpose compartments. It’s real leather, so looks beautiful, and is supple and flexible for writing on the move. If minimalism isn't your style, you can add a splash of colour to your home office with a bright and colourful bin. These Karenza & Co fluro bins are environmentally friendly too: they're made from 100% recycled cotton and the designs are screen printed by hand. The bins arrive flat-packed, but pop up to full size (30cm x 21cm x 21cm) quickly and easily. Our favourite is the strawberry red, but orange, yellow and lime green options are available too. If you’re going to be printing business documents, mockups, flyers or leaflets for your work, you don’t want to print onto just any old paper. While for leaflets or brochures we’d recommend coated paper , for most uses we recommend Xerox Colotech Plus premium quality uncoated paper. It’s rougher than coated paper, but high quality at 160 gsm GSM (80 gsm is standard quality), which is what you need for most home office uses. Remember to keep your printer ink topped up too. What printer ink is best for you will of course depend on what printer you have, but a good approach is to buy two packs of whichever printer ink you need and then replace the spare each time you need to pop one into your machine. That way, you’ll never run out. Read more: The best laptops for graphic design The best wireless headphones 30 books every graphic designer should read View the full article

A Mandelbulb is a three-dimensional fractal that is becoming increasingly popular in 3D art and VFX. In this article, I’ll walk through how to quickly make a Mandelbulb in Houdini, using an SDF (signed distance field volume). In each voxel, an SDF stores the distance to the nearest point on the surface. Houdini can interpret these distances, and visualise the derived surface as 3D geometry. This is very convenient since most fractal formulas take the form of a ‘distance estimation function’ – given a point in space, the function returns the distance to the nearest point on the fractal implicit surface. This means that you can put the results of the fractal function directly in each voxel and it will just work! 01. Create an empty volume Click the icon in the top right to enlarge the image First, create an empty volume (Volume SOP) to fill with distance values – give it the name 'surface'. A good fractal to test with is the Mandelbulb, and by default it's around 2.5 units wide, so set the volume's size to 2.5, 2.5, 2.5. You can change the resolution of the volume to trade off speed against quality; a good starting point could be setting the Uniform Sampling to By Size, with a Division Size of 0.01. The default mode of visualising a volume in Houdini is a fog volume, but you can change that to display as a hard limit surface, by changing the Display Mode to Isosurface (in the Properties tab). 02. Add some code Click the icon in the top right to enlarge the image Then it’s a matter of filling the voxels with distance values. Use this VEX code in a Volume Wrangle SOP to run the Mandelbulb formula per-voxel: 03. Introduce parameter references Click the icon in the top right to enlarge the image Houdini lets you add your own custom spare parameters to an individual node’s user interface. Our VEX code contains parameter references (the chf() functions), to let us control aspects of the formula with parameters in the UI. Those parameters won't exist by default, but you can create them by pressing the Create Spare Parameters button in the right of the code window. In this case, the Iterations parameter will control the level of detail for the Mandelbulb – start off with 5 or 6. The Power will control the shape of the Mandelbulb – the typical shape emerges at around Power 8.0. 04. Convert to polygons Click the icon in the top right to enlarge the image To convert the surface to polygons, follow the Volume Wrangle with a Convert Volume SOP. Use Invert mode, because it's interpreted as a signed distance field, and you'll get the detailed fractal shape meshed in polygon form. Effectively, the Invert mode reverses the normals of the surface and the winding direction of the polygons. 05. Render your Mandelbulb Click the icon in the top right to enlarge the image You can then render it the same as you would any other mesh, but because it's so detailed you won't be able to UV unwrap it easily – consider using procedural techniques to surface it, for example, shading based on its curvature. This article was originally published in 3D World, the world's best-selling magazine for CG artists. Buy issue 237 or subscribe. Read more: Grow plants in Houdini 8 eye-popping examples of fractal art 15 top Houdini tips View the full article

Fasthosts offers everything from domain registration and business email to dedicated servers. Now this leading web hosting provider is offering users a single platform for a complete range of cloud-based services: CloudNX. CloudNX provides high-performance Virtual Private Servers on demand. These virtual machines are provisioned in as little as 55 seconds, and users can choose from the latest Linux or Windows operating systems, as well as flexible configurations of CPU vCores, RAM and fast SSD storage. With scalable resources and advanced features including load balancers and monitoring, Virtual Private Servers are ideal for running websites with variable performance demands. There are no upfront costs or contracts, and usage is tracked by the minute – so you only need to pay for the server resources you actually use. Apps and stacks For users that need to launching their ideal development environment quickly, CloudNX also offers Apps & Stacks. These custom software stacks can be deployed with a wide range of components, including a choice of web server, database and scripting language. Developers have instant access to their tools of choice, from a standard Apache/MySQL/PHP setup to more specialised configurations. Pre-installed applications for popular software such as WordPress, Joomla and Drupal mean users can easily get started with their preferred content management system. With Apps & Stacks, the operating system and software updates are managed by Fasthosts, so developers can focus on their code, rather than messing around with server admin. Every stack includes its own dedicated processor vCores, memory and SSD storage, which can be allocated automatically according to the performance needs of each project, or scaled on a custom basis. Bare Metal Servers Also now available on CloudNX, Bare Metal Servers are single-tenant, physical machines, fully integrated on a cloud platform. With powerful dedicated hardware including Intel Xeon processors, Bare Metal Servers are a perfect solution for demanding applications like intensive ecommerce, but offering the added benefit of cloud-like flexibility. Billing is based on usage per hour, so you can spin up a Bare Metal Server for temporary, heavy workloads, with no long-term commitment. They’re quick to set up, too: a new Bare Metal Server is ready to use in just eight minutes. This solution can be fully integrated with other CloudNX services, interacting with Virtual Private Servers and load balancers on a single high-performance network. Everything on one platform To keep things nice and simple, all of these services can be controlled from one convenient interface. The CloudNX control panel offers a full range of options for launching and managing Virtual Private Servers, Apps & Stacks, and Bare Metal Servers, along with easy ways to keep track of usage and costs. Fasthosts has data centres in the UK, mainland Europe and the US, and the performance of servers and projects can be optimised for the needs of different audiences worldwide. There’s also UK-based technical support on hand 24/7 to ensure any issues, queries and tasks can be resolved as quickly and efficiently as possible. View the full article

A few days ago, we reported on everything we know about the Apple iPhone 11 so far, and revealed what we'd like to see. Now, with less than 48 hours to go until Apple's next-gen iPhone big reveal, rumours and leaks surrounding the new device/s name and what it/they will look like have started to intensify. 6 best smartphones for designers In this video below, tech YouTuber Marques Brownlee reveals what he claims are three detailed dummy models of the new iPhone range. Brownlee provides a close-up look at them, detailing the possible features in the second-generation 5.8-inch iPhone X, a new 6.5-inch device and the rumoured 'budget' 6.1-inch iPhone, the latter of which it's reported will have an LCD screen, with the other two models boasting an OLED (organic light-emitting diode) display. What's in a name? A lot, actually, with Apple fans speculating just as much about the new iPhone name as its potential new look and features. While nothing has been confirmed, reports in this morning from our sister site Techradar suggest Apple's iPhone X successor is expected to be called the iPhone XS, with another model – currently being referred to as the iPhone XS Max – set to take the presumed iPhone 9 Plus slot thanks to its larger 6.5-inch display. There's no doubt we'll see more leaks and rumours in the build up to launch over the next 48 hours. One thing we're pretty certain of seeing, however, is die-hard Apple fans lining the streets once again, eager to be the first to get their hands on this latest device. Read more: The 28 best iPhone apps for designers iMac Pro review The best cheap Apple laptop deals of 2018 View the full article

Branding a major airline is one of the most prestigious, large-scale jobs a design agency can land – and one of the most expensive to implement. Your work will be emblazoned across a fleet of aircraft, as well as every other touchpoint that customers experience, from terminal kiosks to tickets. It's a big responsibility. Redesigning an airline logo is a decision not to be taken lightly, partly because of the huge cost, but also because people often get rather attached to the logos of their country's 'flag-carrying' airlines, and major rebrands often attract their fair share of controversy – American Airlines and United, both covered below, being prime examples as they ditched the work of luminary designers in the process, going from some of the best-loved to the most-hated logos overnight. Get it right, however, and the best logos for airlines can truly stand the test of time. Read on to discover six of the most recognisable airline brands from around the world, and what makes them so effective... 01. Lufthansa (1963 version) Until 2018, Lufthansa 'owned' ochre yellow in the airline sector As the world's oldest airline, the German flag-carrier's stylised 'flying crane' motif dates back to 1918, when Otto Firle first created it for Lufthansa's predecessor Deutsche Luft-Reederei (DLR). In 1963, Otl Aicher added its distinctive rich ochre yellow as a brand colour – a masterstroke in terms of market standout. Ownership of a colour in a sector largely dominated by red and blue can be crucial for standout – easyJet's grip on orange is another case in point – and that yellow became a key part of Lufthansa's identity, alongside the iconic crane. The rebrand removed it from aircraft liveries, but kept it as a secondary colour elsewhere As a result, one of the most controversial aspects of Lufthansa's in-house rebrand earlier in 2018 was the downgrading of yellow to an accent colour, playing second fiddle to navy blue. It remains across many of the airline's touchpoints – such as tickets – but the backlash was strong. Lufthansa's 350-odd planes are now liveried exclusively in navy blue, with a slimmed-down crane. 02. American Airlines (1967 version) Massimo Vignelli's bold, angular American Airlines logo is indisputably iconic Designed in 1967, the late, great Massimo Vignelli's American Airlines logo combines a bold, confident 'AA' acronym with a heavily stylised, angular eagle that sits neatly inside the triangular negative space between the two letters. It's indisputably one of the most iconic airline logos of all time, which is why it remained a badge of honour for the US carrier for almost half a century. In arguably the most controversial airline rebrand of recent years, FutureBrand ripped up Vignelli's much-loved logo in 2013, and also moved away from Helvetica – still a relatively new, cutting-edge typeface in 1967 – as a brand font. FutureBrand's 2013 rebrand was widely criticised for 'fixing' what wasn't broken Dubbed the 'flight symbol', the new American Airlines logo incorporates an eagle, a star and the letter 'A' into one modern graphic shape, rendered in a distinctively American red, white and blue palette – albeit a paler, more sky blue shade than its predecessor. It's fit for purpose, but lacks the gravitas and confident simplicity of Vignelli's, and the designer publicly voiced his disapproval at the time. 03. KLM F.H.K. Henrion needed just four circles, a line and a plus to define KLM's iconic crown emblem Like American Airlines, Koninklijke Luchtvaart Maatschappij (better known as KLM) was treated to an iconic logo by a world-renowned designer in the 1960s – in this instance, F.H.K. Henrion in 1961. Where the two differ, of course, is that KLM's is still very much in use, bar some minor tweaks in 1991, and widely cherished. While Lufthansa is technically the world's oldest airline, KLM – founded in 1919 – is the oldest that still maintains its original name. That name translates to 'Royal Dutch Airlines', and the airline needs just four circles, a horizontal line and a plus symbol to form the beautifully timeless graphic crown that represents it to this day. 04. Qantas Qantas has reworked its brand five times since 1944, but kept the essence of its red-and-white kangaroo Established in 1920, hot on the heels of KLM, Queensland and Northern Territory Aerial Services (better known as Qantas) is Australia's flag carrier, with around 120 airplanes. In 2016, a Boeing 787 Dreamliner was added to the fleet – which gave the airline an excuse to overhaul its well-known logo and livery. Australian design agency Houston Group worked on this latest Qantas rebrand, the fifth time the distinctive red-and-white kangaroo has been updated since 1944. The last rebrand was in 2007, to mark the introduction of an Airbus A380. Houston Group's ambition was to give the emblem a more streamlined, contemporary look and feel, so it serves more as an abstract, ownable symbol than a literal representation of a kangaroo. The wordmark was also updated, losing the italicised text and giving everything more room to breathe. Ultimately, it retains the essence of the brand, and just gives it a modern, stylised twist – a rather different tack from American Airlines. 05. LEVEL Superunion's identity for low-cost, long-haul airline LEVEL subverts all the trends of the sector International Airline Group (IAG) needed a name and visual identity for its brand new low-cost, long-haul airline that could stand out in a crowded sector, and appeal to a new generation of global travellers. Up stepped Superunion. Inspired by the idea of ‘levelling the playing field’ of long-haul travel, the agency decided on a name: LEVEL was born. Subverting the traditional flag motifs of the big ‘flag-carrying’ airlines, the airline sports a simple two-colour square for its logo, split into blue and green strips to represent the sky and Earth respectively. This expands into a series of vibrant, animated patterns that carry seamlessly across every brand touchpoint. LEVEL was the most successful airline ever launched, with 52,000 tickets sold in its first 11 hours of business. It may be the newest airline brand on the list by quite some distance, but it's already proved its worth – and was highly commended at the 2018 Brand Impact Awards. 06. United (pre 2010) Pentagram's 1997 rebrand of United respected the considerable brand equity in Saul Bass' tulip When a luminary designer like Saul Bass is behind a logo, it pays to hold on to that heritage. A pleasingly balanced emblem formed from four beautifully simple graphic shapes that curl around each other at the base, his 1974 'tulip' for United Airlines is instantly recognisable – and replaced a whole string of different 'crest'-based logo designs from the previous three decades. While the design of the accompanying wordmark fluctuated – including a stylish rebrand by Pentagram in 1997, above – Bass' iconic tulip remained constant for over 35 years. That was until United merged with Continental Airlines in 2010, and in a spectacularly ill-advised tradeoff between name and logo, acquired Continental's nondescript blue globe and became, briefly, known as United Airlines. Following its merger with Continental Airlines, United decided to sacrifice the tulip in favour of a nondescript blue globe That's right: three years before Vignelli's work was ditched by American Airlines, its US rival had already binned Bass. And then, as if that wasn't enough, it rebranded again just three months later, dropping the 'Airlines' to become 'United' once again, and changing sentence-case serif for all-caps sans. Unfortunately, the type was the least of their problems. The globe stayed – and the tulip sadly was no more. Related articles: The best logos of all time 7 logos we all love to hate (and lessons we can learn) 6 great logo ideas that break the mould View the full article